<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4483226578495990809</id><updated>2011-07-30T12:31:55.414-07:00</updated><title type='text'>Radicalul liber</title><subtitle type='html'>...el e vinovat!</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://wheretheinternetends.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://wheretheinternetends.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>cunely</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_CRDGGl3s9QQ/TTiUJGWBOPI/AAAAAAAAAys/tjgOeFaIhHw/S220/Denisa_Mihaela_Puica.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>12</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4483226578495990809.post-8831542067730418244</id><published>2010-02-19T09:44:00.001-08:00</published><updated>2010-02-20T06:18:13.515-08:00</updated><title type='text'>citate</title><content type='html'>"Un pesimist va vedea mereu partea goală a paharului, un optimist va vedea mereu partea plină a paharului, iar un realist mereu va şti că stând în preajma paharului va trebui cândva să-l spele."&lt;br /&gt;&lt;br /&gt;"In viata nu e important sa ai carti bune, ci sa le joci bine pe cele pe care le ai."     &lt;br /&gt;   Josh Billings&lt;br /&gt;&lt;br /&gt;"Când "aş vrea" devine "vreau", când "ar trebui" devine "trebuie", când "mai întâi" şi "mai apoi" devin "acum", atunci şi doar atunci dorinţele încep să se transforme în realitate."&lt;br /&gt;   Roberto Redfort&lt;br /&gt;&lt;br /&gt;“Before you speak, listen.&lt;br /&gt;Before you write, think.&lt;br /&gt;Before you spend, earn.&lt;br /&gt;Before you invest, investigate.&lt;br /&gt;Before you criticize, wait.&lt;br /&gt;Before you pray, forgive.&lt;br /&gt;Before you quit, try.&lt;br /&gt;Before you retire, save.&lt;br /&gt;Before you die, give.”&lt;br /&gt;– William A. Ward {American Anthropologist}&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4483226578495990809-8831542067730418244?l=wheretheinternetends.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wheretheinternetends.blogspot.com/feeds/8831542067730418244/comments/default' title='Postare comentarii'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4483226578495990809&amp;postID=8831542067730418244' title='0 comentarii'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/8831542067730418244'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/8831542067730418244'/><link rel='alternate' type='text/html' href='http://wheretheinternetends.blogspot.com/2010/02/citate.html' title='citate'/><author><name>cunely</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_CRDGGl3s9QQ/TTiUJGWBOPI/AAAAAAAAAys/tjgOeFaIhHw/S220/Denisa_Mihaela_Puica.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4483226578495990809.post-7647400118093717596</id><published>2010-02-19T02:52:00.000-08:00</published><updated>2010-02-19T03:30:38.151-08:00</updated><title type='text'>Citate citite. Tolstoi</title><content type='html'>"La batranete piere interesul fata de viitor si trecut, se distrug memoria si imaginatia, dar ramane si creste viata in prezent, constiinta acestei vieti adevarate."&lt;br /&gt;&lt;br /&gt;"Am inteles azi mai limpede ca inainte ca totul creste, pleaca si trece. E de mirare ca oamenii nu pot pricepe asta, isi transforma toate dorintele in viitor, fara sa le treaca prin minte ca viitorul nu sta-n loc, ca va trece la fel ca trecutul."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4483226578495990809-7647400118093717596?l=wheretheinternetends.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wheretheinternetends.blogspot.com/feeds/7647400118093717596/comments/default' title='Postare comentarii'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4483226578495990809&amp;postID=7647400118093717596' title='0 comentarii'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/7647400118093717596'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/7647400118093717596'/><link rel='alternate' type='text/html' href='http://wheretheinternetends.blogspot.com/2010/02/citate-citite-tolstoi.html' title='Citate citite. Tolstoi'/><author><name>cunely</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_CRDGGl3s9QQ/TTiUJGWBOPI/AAAAAAAAAys/tjgOeFaIhHw/S220/Denisa_Mihaela_Puica.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4483226578495990809.post-1652916312748515226</id><published>2010-02-09T17:12:00.000-08:00</published><updated>2010-02-12T07:48:47.373-08:00</updated><title type='text'>Terra.</title><content type='html'>&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4483226578495990809-1652916312748515226?l=wheretheinternetends.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wheretheinternetends.blogspot.com/feeds/1652916312748515226/comments/default' title='Postare comentarii'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4483226578495990809&amp;postID=1652916312748515226' title='0 comentarii'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/1652916312748515226'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/1652916312748515226'/><link rel='alternate' type='text/html' href='http://wheretheinternetends.blogspot.com/2010/02/terra.html' title='Terra.'/><author><name>cunely</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_CRDGGl3s9QQ/TTiUJGWBOPI/AAAAAAAAAys/tjgOeFaIhHw/S220/Denisa_Mihaela_Puica.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4483226578495990809.post-556387907280733271</id><published>2010-02-09T17:10:00.001-08:00</published><updated>2010-02-12T07:50:36.693-08:00</updated><title type='text'>top destinatii</title><content type='html'>&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4483226578495990809-556387907280733271?l=wheretheinternetends.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wheretheinternetends.blogspot.com/feeds/556387907280733271/comments/default' title='Postare comentarii'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4483226578495990809&amp;postID=556387907280733271' title='0 comentarii'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/556387907280733271'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/556387907280733271'/><link rel='alternate' type='text/html' href='http://wheretheinternetends.blogspot.com/2010/02/top-destinatii.html' title='top destinatii'/><author><name>cunely</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_CRDGGl3s9QQ/TTiUJGWBOPI/AAAAAAAAAys/tjgOeFaIhHw/S220/Denisa_Mihaela_Puica.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4483226578495990809.post-6029458668236558667</id><published>2010-02-09T17:05:00.000-08:00</published><updated>2010-02-09T17:06:38.211-08:00</updated><title type='text'>inainte sa dispara.</title><content type='html'>&lt;div class="smkni"&gt;&lt;p class="smknit"&gt;100 de locuri de vizitat inainte sa dispara&lt;/p&gt;&lt;p class="smknipara"&gt;Conferinta pentru clima de la Copenhaga va fi insotita de o expozitie care prezinta cele mai spectaculoase &lt;a href="http://www.100places.com/en/places/" target="_blank"&gt;100 de locuri&lt;/a&gt; ale planetei care vor disparea in lipsa unor actiuni concrete impotriva schimbarilor climatice, informeaza cop15.dk.&lt;/p&gt;&lt;p class="smknipara"&gt;Ideea apartine organizatiei CoplusLife, care a deschis in Danemarca si expozitiile "Earth from Above" si "Spirit of the Wild". Expozitia "100 Places to Remember Before they Disappear" a fost inaugurata in Copenhaga pe 26 septembrie de Printul Frederik al Danemarcei. Ea este organizata in exterior si este deschisa non-stop pana pe 27 decembrie.&lt;/p&gt;&lt;p class="smknipara"&gt;Printre obiectivele incluse in expozitie se numara insulele Maldive, delta Nilului, Venetia, lacul Balaton din Ungaria si orasul Caracas din Venezuela.&lt;/p&gt;&lt;p class="smknipara"&gt;Organizatorii Stine Norden si Søren Rud au editat si o carte si au publicat postere si vederi ce promoveaza expozitia de la Copenhaga. Cele mai multe proiecte ale organizatiei CoALife se ocupa de probleme de &lt;a class="bbtWord double" redirect="http://new.arbocontext.ro/core/ad_transaction?att=4&amp;amp;atd=305;690147873790007247;4805583035090514576;477;111;21369;718;4973022161518997998;10;2;6;3930153704&amp;amp;curl=http%3A%2F%2Fro.instalbiz.com%2F" href="javascript:void(0)" id="anchorbbtBubble181"&gt;mediu&lt;div style="border: medium none ; overflow: hidden; position: absolute; left: 0px; top: 0px; width: 35px; height: 15px;" id="overbbtBubble181"&gt;&lt;iframe id="overbbtBubble181ifr" name="overbbtBubble181ifr" url="http://cdn.code.new.arbocontext.ro/app/html/overWordLayer.html#att=4&amp;amp;atd=305;690147873790007247;4805583035090514576;477;111;21369;718;4973022161518997998;10;2;6;3930153704&amp;amp;bbMainDomain=new.arbocontext.ro&amp;amp;curl=http%3A%2F%2Fro.instalbiz.com%2F" src="http://cdn.code.new.arbocontext.ro/app/html/overWordLayer.html#att=4&amp;amp;atd=305;690147873790007247;4805583035090514576;477;111;21369;718;4973022161518997998;10;2;6;3930153704&amp;amp;bbMainDomain=new.arbocontext.ro&amp;amp;curl=http%3A%2F%2Fro.instalbiz.com%2F" allowtransparency="true" marginwidth="0" marginheight="0" style="display: none;" frameborder="0" scrolling="no"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;/a&gt; si biodiversitate. Intentia campaniilor desfasurate de ei este de a promova dezvoltarea sustenabila. (green-report.ro)&lt;/p&gt;&lt;p class="smknipara"&gt;sursa: ziarul de iasi&lt;br /&gt;&lt;/p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4483226578495990809-6029458668236558667?l=wheretheinternetends.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wheretheinternetends.blogspot.com/feeds/6029458668236558667/comments/default' title='Postare comentarii'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4483226578495990809&amp;postID=6029458668236558667' title='0 comentarii'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/6029458668236558667'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/6029458668236558667'/><link rel='alternate' type='text/html' href='http://wheretheinternetends.blogspot.com/2010/02/inainte-sa-dispara.html' title='inainte sa dispara.'/><author><name>cunely</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_CRDGGl3s9QQ/TTiUJGWBOPI/AAAAAAAAAys/tjgOeFaIhHw/S220/Denisa_Mihaela_Puica.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4483226578495990809.post-7634411764899544026</id><published>2010-02-09T17:03:00.000-08:00</published><updated>2010-02-09T17:04:53.393-08:00</updated><title type='text'>de facut pana.n '50</title><content type='html'>&lt;div class="brief2"&gt;Traieste ca si cand ar fi ultima clipa este o vorba dupa care se ghideaza multi sau multe. Cam asa au facut majoritatea starurilor rock si au sfarsit mai repede decat s-ar fi asteptat. Nu-ti voi cere sa traiesti asa, insa iti voi prezenta cate lucruri pe care din punctul meu de vedere ar trebui sa le incerci intr-o viata.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;   &lt;div class="content2"&gt;&lt;p&gt;Variantele le voi da aleatoriu, asa cum imi vin mie in cap si dupa preferintele mele.&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#58a17d;"&gt;&lt;strong&gt;1 Mergi la concertul Lenny Kravitz&lt;/strong&gt;&lt;/span&gt; din 26 iulie 2008. Tipul este un fenomen in sine si cine stie cand il vei mai prinde intr-un concert. Lenny Kravitz este unul dintre cei mai apreciati artisti rock din ultimii 20 de ani, atragand atentia inca de la debut printr-un stil inconfundabil, imbinand original influente soul, funk, reggae, hard rock si folk.&lt;br /&gt;&lt;br /&gt;Bilete inca se mai gasesc www.myticket.ro si in reteaua magazinelor Diverta.&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#58a17d;"&gt;&lt;strong&gt;2 Sari cu parapanta:&lt;/strong&gt;&lt;/span&gt; asa chiar vei avea ce povesti nepotilor. Pentru a zbura trebuie sa te inscrii la un curs. Prima oara vei face un zbor in tandem impreuna cu instructorul care iti va da cateva indicatii legate de ceea ce trebuie sa faci si te va echipa pentru zbor. O sa vezi lumea dintr-o perspectiva absolut inedita, te vei afla printre nori.&lt;br /&gt;&lt;br /&gt;Cursul de baza consta in deprinderea de tehnici din domeniul zborului, pe diferite suprafete, la inaltimi intre 40 si 100 de metri. Vei cunoaste echipamentul de zbor: casca, statia radio, seleta, parasuta de rezerva.&lt;br /&gt;&lt;br /&gt;Zborul la inaltime il vei efectua dupa cel putin 10 zboruri la inaltime mica. Vor urma astfel cel putin 70 de zboruri peste 300 de metri. Te tenteaza?&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#58a17d;"&gt;&lt;strong&gt;3 Viziteaza Barcelona:&lt;/strong&gt;&lt;/span&gt; sa vezi cum traieste si cum se distreaza niste oameni la fel de latini ca si noi, dar mult mai deschisi la minte. Cel mai vizitat oras turistic al Europei, traieste la orice ora a zilei.&lt;br /&gt;&lt;br /&gt;Trebuie sa stai cel putin 15 minute si sa te minunezi langa Sagrada Familia, sa vezi parcul Guell, &lt;a href="http://www.feminis.ro/cautare/Casa" title="stiri despre casa"&gt;Casa&lt;/a&gt; Mila si Batllo si tot ce a creat Gaudi, sa vizitezi Fundatia Joan Miro, muzeul Pablo Picasso, acvariul – cel mai mare din Europa, parcul de distractii Port Aventura – si el cel mai mare din Europa plus multe alte palate, constructii, strazi si magazine, restaurante si cate si mai cate.&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#58a17d;"&gt;&lt;strong&gt;4 „Joaca-te” cel putin cu o jucarie sexuala.&lt;/strong&gt;&lt;/span&gt; La 50 de ani nu o sa-ti mai arda de asa ceva. Pretul unui dildo incepe de la 40 de lei si il gasesti in orice &lt;a href="http://www.feminis.ro/cautare/sex" title="stiri despre sex"&gt;sex&lt;/a&gt; shop. Nu trebuie sa-l confuzi cu vibratorul. Dildo-ul poate fi folosit atat de femei cat si de &lt;a href="http://www.feminis.ro/cautare/barbati" title="stiri despre barbati"&gt;barbati&lt;/a&gt; . Acestea vin intr-o gama larga de culori, forme, texturi si stiluri.&lt;/p&gt;&lt;p&gt;&lt;span style="color:#58a17d;"&gt;&lt;strong&gt;5. Planteaza un copac&lt;/strong&gt;&lt;/span&gt;. Pentru umbra si aer curat. Pentru toate foile de hartie pe care le-ai consumat inutil.&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#58a17d;"&gt;&lt;strong&gt;6. Petrece noaptea sub cerul liber&lt;/strong&gt;&lt;/span&gt;, intr-un hamac sau pe pamant, bine infofolita in sacul de dormit. Daca locuiesti la curte, acest lucru e oricand posibil. Daca nu, fugi la mare cu cortul.&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#58a17d;"&gt;&lt;strong&gt;7. Investeste intr-o locuinta mobila&lt;/strong&gt;&lt;/span&gt;, fie yacht, fie alta ambarcatiune cu vele, fie intr-o rulota sau bus super-echipatat si cutreiera lumea.&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#58a17d;"&gt;&lt;strong&gt;8. Invinge-ti frica de inaltime&lt;/strong&gt;&lt;/span&gt; imbarcandu-te in cel mai fioros rollercoaster din lume. Dupa care sa ti se para firesc sa sari cu parasuta sau sa faci bungee jumping.&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#58a17d;"&gt;&lt;strong&gt;9. Organizeaza o &lt;a href="http://www.feminis.ro/cautare/petrecere" title="stiri despre petrecere"&gt;petrecere&lt;/a&gt; tematica&lt;/strong&gt;&lt;/span&gt;. Ce-ar fi sa iei legatura cu gasca ta de fete din liceu si sa petreceti ca in zilele voastre de glorie. Incercati sa recreati atmosfera perioadei respective (fie ca e vorba de sfarsitul anilor 80, inceputul sau mijlocul anilor 90) cu ajutorul muzicii? Tinuta in ton cu vremurile sarbatorite e obligatorie!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color:#58a17d;"&gt;10. Cunoaste-ti radacinile&lt;/span&gt;&lt;/strong&gt;. Stai de vorba cu parintii, fratii si suroile si incearca sa schitezi un mic arbore genealogic.&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#58a17d;"&gt;&lt;strong&gt;11. Invata sa inoti&lt;/strong&gt;&lt;/span&gt;, sa mergi cu bicicleta, sa sari coarda, sa fluieri, sa faci baloane din guma de mestecat si orice alt lucru pe care n-ai reusit sa-l faci cand erai mica.&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#58a17d;"&gt;&lt;strong&gt;12. Traieste bine.&lt;/strong&gt;&lt;/span&gt; Nu in acceptiunea presedintelui ci in cea universala. Sa mananci sanatos, sa faci &lt;a href="http://www.feminis.ro/cautare/sport" title="stiri despre sport"&gt;sport&lt;/a&gt;, sa traiesti &lt;a href="http://www.feminis.ro/cautare/eco" title="stiri despre eco"&gt;eco&lt;/a&gt;, sa nu intarzii dimineata la servici si seara acasa, sa iti suni prietenii si sa iti vizitezi parintii. Macar o zi, odata la o saptamana.&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#58a17d;"&gt;&lt;strong&gt;13. Urca pe cel mai inalt varf din tara&lt;/strong&gt;&lt;/span&gt; si sa privesti de sus grijile si problemele lasate in urma.&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#58a17d;"&gt;&lt;strong&gt;14. Stai o zi intreaga fara sa vorbesti&lt;/strong&gt;&lt;/span&gt;, fara a scoti nici cel mai mic cuvant. Invata sa asculti.&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#58a17d;"&gt;&lt;strong&gt;15. Pleaca intr-o calatorie initiatica.&lt;/strong&gt;&lt;/span&gt; Doar tu cu gandurile tale. Nu trebuie sa ajungi in Tibet si nici sa recreezi traseul lui Santiago de Compostella. Sunt cazuri in care si un drum pana la &lt;a href="http://www.feminis.ro/cautare/Gradina" title="stiri despre gradina"&gt;Gradina&lt;/a&gt; Zoologica si inapoi poate fi de ajuns.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color:#58a17d;"&gt;16. Ia-ti sotul intr-o a doua luna de miere.&lt;/span&gt;&lt;/strong&gt; Plecati undeva departe doar voi, fara copil, fara catel, fara purcel. Macar pentru o saptamana.&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#58a17d;"&gt;&lt;strong&gt;17. Uita-te la un film porno&lt;/strong&gt;&lt;/span&gt;. Fara remuscari, fara resentimente. Ca sa-ti satisfaci curiozitatea si sa nu-ti mai judeci atat de aspru iubitul.&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#58a17d;"&gt;&lt;strong&gt;18. Sa te balacesti in mare in pielea goala&lt;/strong&gt;&lt;/span&gt;. Noaptea sau ziua in amiaza mare...oricand te simti in largul tau.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color:#58a17d;"&gt;19. Incearca sa traiesti departe de civilizatie&lt;/span&gt;&lt;/strong&gt;, fara electricitate, fara gaze, fara canalizare si fara apa curenta. De pe o zi pe alta, oranduindu-ti viata dupa soarele de pe cer. Mergi in Delta!&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#58a17d;"&gt;&lt;strong&gt;20. Traieste pe picior mare chiar daca nu esti bogata. &lt;/strong&gt;&lt;/span&gt;Incearca sa iti inchei ziua cu un pahar de sampanie, sa te infrupti cu trufe la micul dejun. Sa dormi in pielea goala in asternuturi de satin, sa inlocuiesti dusurile cu bai cu spuma. Sa porti ciorapi cu portjartier si sa asculti Sinatra in surdina.&lt;/p&gt;&lt;p&gt;sursa: feminis&lt;br /&gt;&lt;/p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4483226578495990809-7634411764899544026?l=wheretheinternetends.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wheretheinternetends.blogspot.com/feeds/7634411764899544026/comments/default' title='Postare comentarii'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4483226578495990809&amp;postID=7634411764899544026' title='1 comentarii'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/7634411764899544026'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/7634411764899544026'/><link rel='alternate' type='text/html' href='http://wheretheinternetends.blogspot.com/2010/02/de-facut-panan-50.html' title='de facut pana.n &apos;50'/><author><name>cunely</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_CRDGGl3s9QQ/TTiUJGWBOPI/AAAAAAAAAys/tjgOeFaIhHw/S220/Denisa_Mihaela_Puica.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4483226578495990809.post-9110672971832054308</id><published>2010-02-09T16:55:00.000-08:00</published><updated>2010-02-12T08:31:47.707-08:00</updated><title type='text'>de vizitat.</title><content type='html'>&lt;span style="border: medium none ; margin: 0px; padding: 0px; position: static; cursor: auto; color: rgb(0, 0, 0); text-decoration: none;"&gt;In continuarea articolului de-acum doua saptamani in care iti propuneam 20 de lucruri pe care sa le faci pana la a cincea schimbare a prefixului, iata o &lt;span style="border-style: none none solid; border-color: -moz-use-text-color -moz-use-text-color rgb(192, 209, 254); border-width: medium medium 1px; margin: 0px; padding: 0px; color: rgb(4, 148, 225) ! important; cursor: pointer; display: inline ! important; position: static;" onclick="X1U2TClick(this,0);" onmouseover="X1U2TOver(this,0,'noua',262);" onmouseout="X1U2TOut(this,0);"&gt;noua&lt;/span&gt; compilatie, de aceasta data cu locuri - 15 la numar - pe care merita sa le vezi intr-o &lt;span style="border-style: none none solid; border-color: -moz-use-text-color -moz-use-text-color rgb(192, 209, 254); border-width: medium medium 1px; color: rgb(4, 148, 225) ! important; cursor: pointer; display: inline ! important;" onclick="X1U2TClick(this,1);" onmouseover="X1U2TOver(this,1,'viata',378);" onmouseout="X1U2TOut(this,1);"&gt;viata&lt;/span&gt;.  &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Am largit limita de varsta deoarece:&lt;br /&gt;&lt;br /&gt;1. E absurd sa-i cer cuiva ca pana la varsta de 50 de ani sa se fi plimbat in ambele emisfere ale lumii.&lt;br /&gt;&lt;br /&gt;2. E si mai absurd sa-i ceri cuiva sa se rezume la a vedea doar cele 14 minuni ale lumi (cele 7 ale lumii antice si cele 7 ale lumii contemporane) si atat.&lt;br /&gt;&lt;br /&gt;3. Nu ne propunem sa facem o lista a destinatiilor turistice cu sloganuri desprinse din brosuri, ci un "to do" ultra-super-motivational, care sa te indemne sa-ti deschizi orizonturile.&lt;br /&gt;&lt;br /&gt;Sa traiesti fiecare zi ca si cum ar fi ultima e oarecum greu de realizat. Haide sa “largim” un pic sensul acestei expresii si sa ne traim fiecare an de-acum incolo ca si cum ar fi ultimul. Iata 20 de destinatii care te asteapta sa le descoperi:&lt;br /&gt;&lt;br /&gt;1.&lt;span style="font-weight: bold;"&gt; Marea Bariera de Corali a Australiei&lt;/span&gt;, care scalda Oceanul Indian si o buna bucatica din Pacificul de Sud. Acest organism viu este alcatuit din mai mult de 2800 de recife, din 400 de tipuri diferite de corali, care per total ocupa o suprafata mai mare decat cea a Irlandei si a Marii Britanii la un loc, fiind oficial una dintre cele cinci minuni naturale ale lumii. Aici isi au adapostul peste 10.000 de specii marine unice (6000 de specii de crustacee, moluste, broaste testoase, delfini). Nu trebuie decat sa pui degetul pe harta. Iar daca ai propria ambarcatiune, te vei putea deplasa singura intre Fiji, Heron Island, Insula Koh Tao din Thailanda si coasta de nord a Australiei.&lt;br /&gt;&lt;br /&gt;2. Cele mai colorate parcuri de distractii ale lumii, in frunte cu &lt;span style="font-weight: bold;"&gt;Disneyland&lt;/span&gt; sau varianta sa europeana, Eurodisney (Paris). Aminteste-ti de copilarie si de cat de mult te bucurai dupa jumatate de ora de desene animate care preceda Actualitatile. La Disneyland ai sansa sa te invarti in setul de cescute ale Palarielului cel Nebun din Alice in Tara Minunilor, sa dai mana cu Goofy, Minnie si Donald si sa vizitezi castelul lui Mickey din capodopera marelui Disney, “Phantasia”. Daca ai copii, ai inca un motiv sa treci pe lista aceasta destinatie.&lt;br /&gt;&lt;br /&gt;3. &lt;span style="font-weight: bold;"&gt;Noua Zeelanda, Australia, Madagascar, Sumatra si Borneo&lt;/span&gt;. Pentru ca sunt habitatul a sute de specii de animale pe care ai sansa sa le vezi doar acolo. Poti vizita rezervatiile de urangutani din Sumatra si Borneo, doua coltisoare de Paradis care au avut cumplit de suferit de pe urma tsunamiului din 2005. Un safari in Madagascar iti ofera sansa de a vedea, printre altele, adorabilele maimute Sifaca cunoscute pentru pirutele pe care le fac. Noua Zeelanda este renumita ca fiind cel mai mare teritoriu lipsit de serpi, problema care le da mare bataie de cap australienilor. In plus, ai ocazia sa vezi cu proprii ochi locatiile spectaculoase in care s-a filmat trilogia Lord of The Rings. Cat despre Australia, opreste-te la Australia Zoo. Fa-o in memoria lui Steve Irwin si a muncii sale de o viata in folosul conservarii faunei si a habitatelor naturale.&lt;br /&gt;&lt;br /&gt;4. &lt;span style="font-weight: bold;"&gt;Bora Bora, Insulele Cayman, Seychelles, Barbados, Tahiti si Jamaica&lt;/span&gt;. Pentru ca nimic nu poate fi mai racoritor decat o baie in apele oceanului imposibil de albastre dupa o zi de stat la soare, sorbind din bauturici colorate, garnisite cu umbreluta.&lt;br /&gt;&lt;br /&gt;5. &lt;span style="font-weight: bold;"&gt;Jungla amazoniana&lt;/span&gt;. Pentru ca, in ritmul in care au demarat defrisarile comandate de Guvernul Brazilian, nu se stie daca noi sau macar copiii nostri vom mai avea ocazia sa mai vedem vreun petec din ea.&lt;br /&gt;&lt;br /&gt;6. &lt;span style="font-weight: bold;"&gt;Japonia&lt;/span&gt;, de la un capat la altul, la inceputul primaverii, cand sarbatoresc Festivalul Florii de Cires. Dat fiind ca Japonia e singura tara care intr-un secol si jumatate a facut saltul de la feudalism la o economie super-tehnologizata, mai e nevoie sa spunem de ce? De la pagode, gheise si armuri de samurai pana la Hello Kitty, Harajuku Girls si talismane norocoase precum Maneki Neko, acolo ai sansa sa le vezi pe toate. Cel mai inalt exemplu de civilizatie!&lt;br /&gt;&lt;br /&gt;7. &lt;span style="font-weight: bold;"&gt;Suedia, Norvegia, Olanda si Danemarca&lt;/span&gt;. Pentru ca acolo un om care traieste din ajutor de somaj isi permite o casuta cu mansarda si nu una, ci doua masini. Nivelul de trai este atat de ridicat incat clima aspra nici nu mai conteaza! In tarile nordice fiecare zi e ca o vizita la Ikea, vizita pe care iti permiti sa o faci imbracata din cap pana in picioare in hainutele acelea impecabile de la Marks &amp;amp; Spencer. Asta da viata!&lt;br /&gt;&lt;br /&gt;8. &lt;span style="font-weight: bold;"&gt;Irlanda&lt;/span&gt;, pentru ca nicaieri nu vei mai vedea un verde mai verde decat aici. Uita de vorba cu iarba de acasa; aici trifoiul cu patru foi e la el acasa! Pajistile irlandeze par desprinse din reclamele Lacoste. In Dublin densitatea puburilor a ajuns aproape alarmanta, ceea ce nu poate decat sa ne invesealeasca si mai tare. In plus, totul in aer miroase a U2.&lt;br /&gt;&lt;br /&gt;9.&lt;span style="font-weight: bold;"&gt; Dubai&lt;/span&gt;, nu doar pentru Burj al Arab – hotelul cu cea mai impresionanta arhitectura din lume – ci pentru tot ce inseamna "man-made civilisation", de la piste de ski acoperite cu zapada (!?) pana la insule artificiale in forma de palmieri. Dovada ca nu toata lumea araba e inapoiata, asa cum am invatat de la americani.&lt;br /&gt;&lt;br /&gt;10. &lt;span style="font-weight: bold;"&gt;Budapesta, Praga si Bratislava&lt;/span&gt;, trei capitale care, ca si Bucurestiul, au apartinut fostului bloc comunist. Diferenta dintre oricare dintre ele si capitala noastra este comparabila cu cea de la cer la pamant. De la autostrazi, curatenie, atentia acordata conservarii patrimoniului arhitectural, pana la calitatea oamenilor si a nivelului de trai, cehii, slovacii si ungurii sunt cu 25 de ani inaintea noastra. Trist!&lt;br /&gt;&lt;br /&gt;11.&lt;span style="font-weight: bold;"&gt; Coreea de Nord&lt;/span&gt;. Nu, nu e o gluma proasta. Izolata de tot ceea ce inseamna democratie si civilizatie in sensul contemporan si liberal al cuvantului, jumatatea nordica a acestui stat asiatic te va face sa apreciezi ceea ce ai acasa. Cei care s-au incumetat sa viziteze Coreea de Nord si-au triplat recunostinta fata de meleagurile de-acasa, unde macar au posibilitatea de a face baie in mare. In Coreea de Nord, tarmurile sunt ingradite cu gard electric, ca masura de prevenire a trecerii ilegale a granitei. Altfel spus, te nasti nord-coreean, mori nord-coreean. Fiindca nu ai incotro.&lt;br /&gt;&lt;br /&gt;12. &lt;span style="font-weight: bold;"&gt;Londra, Paris, New York, Roma, Berlin, Hong Kong, Tokyo&lt;/span&gt;. Altfel spus marile metropole ale lumii. Daca nu pentru mirajul Occidentului (da!da! chiar si a celui din Orient), macar pentru a avea, pe viitor, terment de comparatie.&lt;br /&gt;&lt;br /&gt;13. &lt;span style="font-weight: bold;"&gt;Las Vegas&lt;/span&gt;, orasul pacatelor, Sodoma si Gomora a vietii de noapte contemporane. Pentru cazinouri, concertul sustinut de Cher seara de seara la Ceaser’s Palace, pentru sosiile lui Elvis si pentru capelele acelea acoperite cu zorzoane si led-uri, care elibereaza certificate de casatorie pe loc!&lt;br /&gt;&lt;br /&gt;14. Cele 7 minuni ale lumii antice sau, mai bine spus, ceea ce a ramas din ele: &lt;span style="font-weight: bold;"&gt;Colosul din Rhodos&lt;/span&gt; (Grecia, insula Rhodos),&lt;span style="font-weight: bold;"&gt; Piramida lui Keops&lt;/span&gt; (Egipt, platoul de la Gizeh), &lt;span style="font-weight: bold;"&gt;Gradinile Suspendate&lt;/span&gt; (Iraq, la 40 km sud de Bagdad), &lt;span style="font-weight: bold;"&gt;Statuia lui Zeus&lt;/span&gt; (Grecia, Olimpia), &lt;span style="font-weight: bold;"&gt;Templul lui Artemis&lt;/span&gt; (Grecia, Efes), &lt;span style="font-weight: bold;"&gt;farul din Alexandria&lt;/span&gt; (Egipt, pe o insula din vecinantatea Alexandriei) si &lt;span style="font-weight: bold;"&gt;Mausoleul din Halicarnas &lt;/span&gt;(Turcia, Bodrum).&lt;br /&gt;&lt;br /&gt;15. Cele 7 minuni ale lumii moderne: &lt;span style="font-weight: bold;"&gt;Statuia lui Hristos&lt;/span&gt; (Brazilia),&lt;span style="font-weight: bold;"&gt; Marele Zid Chinezesc &lt;/span&gt;(China), &lt;span style="font-weight: bold;"&gt;orasul Chichen Itza&lt;/span&gt; (Mexic), &lt;span style="font-weight: bold;"&gt;Machu Picchu&lt;/span&gt; (Peru), &lt;span style="font-weight: bold;"&gt;Colloseumul din Roma&lt;/span&gt;, &lt;span style="font-weight: bold;"&gt;Taj Mahal&lt;/span&gt; (India) si &lt;span style="font-weight: bold;"&gt;Cetatea Petra din Iordania&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;SURSA: www.feminis.ro&lt;br /&gt;&lt;br /&gt;...si...&lt;a href="http://www.inventie.net/2009/03/top-5-locuri-de-vizitat-in-romania.html"&gt;top 5 din Romania!&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;http://www.inventie.net/2009/03/top-5-locuri-de-vizitat-in-romania.html&lt;br /&gt;&lt;br /&gt;http://www.yuppy.ro/articol/Travel/3362/Cele-mai-frumoase-peisaje-salbatice.html&lt;br /&gt;&lt;br /&gt;http://doiblog.net/2009/01/30/cele-mai-frumoase-10-locuri-de-pe-pamant/&lt;br /&gt;&lt;br /&gt;http://stirileprotv.ro/exclusiv/travel/top-10-cele-mai-frumoase-plaje-din-lume.html&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4483226578495990809-9110672971832054308?l=wheretheinternetends.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wheretheinternetends.blogspot.com/feeds/9110672971832054308/comments/default' title='Postare comentarii'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4483226578495990809&amp;postID=9110672971832054308' title='0 comentarii'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/9110672971832054308'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/9110672971832054308'/><link rel='alternate' type='text/html' href='http://wheretheinternetends.blogspot.com/2010/02/de-vizitat.html' title='de vizitat.'/><author><name>cunely</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_CRDGGl3s9QQ/TTiUJGWBOPI/AAAAAAAAAys/tjgOeFaIhHw/S220/Denisa_Mihaela_Puica.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4483226578495990809.post-7102653715573509301</id><published>2010-02-09T16:51:00.001-08:00</published><updated>2010-02-09T16:53:14.958-08:00</updated><title type='text'>de vazut.</title><content type='html'>&lt;ul&gt;&lt;li&gt;The Good, the Bad and the Ugly (Sergio Leone 1967)&lt;/li&gt;&lt;/ul&gt;The Godfather (Francis Ford Coppola 1972)&lt;br /&gt;Schindler`s List (Steven Spielberg 1993)&lt;br /&gt;Alien (Ridley Scott 1979)&lt;br /&gt;Predator (John McTiernan 1987)&lt;br /&gt;Pulp Fiction (Quentin Tarantino 1994)&lt;br /&gt;Fight Club (David Fincher 1999)&lt;br /&gt;American Beauty (Sam Mendes 1999)&lt;br /&gt;In the Name of the Father (Jim Sheridan 1993)&lt;br /&gt;Reservoir Dogs (Quentin Tarantino 1992)&lt;br /&gt;Kill Bill (Quentin Tarantino 2003)&lt;br /&gt;Black Cat, White Cat (Emir Kusturica 1995)&lt;br /&gt;Fear and Loathing in Las Vegas (Terry Gilliam 1998)&lt;br /&gt;Crash (Paul Haggis 2004)&lt;br /&gt;Gladiator (Ridley Scott 2000)&lt;br /&gt;300 (Zack Snyder 2006)&lt;br /&gt;The Passion of the Christ (Mel Gibson 2004)&lt;br /&gt;The Silence of the Lambs (Jonathan Demme 1991)&lt;br /&gt;Lock Stock and Two Smoking Barrels (Guy Ritchie 1998)&lt;br /&gt;Requiem for a Dream (Darren Aronofsky 2000)&lt;br /&gt;Psycho (Alfred Hitchcock 1960)&lt;br /&gt;Natural Born Killers (Oliver Stone 1994)&lt;br /&gt;The Matrix (Andy &amp;amp; Larry Wachowski 1999)&lt;br /&gt;Snatch (Guy Ritchie 2000)&lt;br /&gt;Die Hard (John McTiernan 1988)&lt;br /&gt;Saw (James Wan 2004)&lt;br /&gt;Seven (David Fincher 1995)&lt;br /&gt;Star Wars (George Lucas 1977)&lt;br /&gt;Braveheart (Mel Gibson 1995)&lt;br /&gt;Face Off (John Woo 1997)&lt;br /&gt;The Rock (Michael Bay 1996)&lt;br /&gt;Leon (Luc Besson 1994)&lt;br /&gt;Platoon (Oliver Stone 1986)&lt;br /&gt;Ray (Taylor Hackford 2004)&lt;br /&gt;La Vita E Bella (Roberto Benigni 1997)&lt;br /&gt;The Truman Show (Peter Weir 1998)&lt;br /&gt;Dark City (Alex Proyas 1998)&lt;br /&gt;The Deer Hunter (Michael Cimino 1978)&lt;br /&gt;The Shawshank Redemption (Frank Darabont 1994)&lt;br /&gt;Taxi Driver (Martin Scorsese 1976)&lt;br /&gt;One Flew over the Cuckoo`s Nest (Milos Forman 1975)&lt;br /&gt;Vertical Limit (Martin Campbell 2000)&lt;br /&gt;Terminator (James Cameron 1984)&lt;br /&gt;Jurassic Park (Steven Spielberg  1993)&lt;br /&gt;The Abyss (James Cameron 1989)&lt;br /&gt;The Thing (John Carpenter 1982)&lt;br /&gt;Casablanca (Michael Curtiz 1942)&lt;br /&gt;Finding Nemo (Andrew Stanton, Lee Unkrich 2003)&lt;br /&gt;Ice Age (Chris Wedge, Carlos Saldanha 2002)&lt;br /&gt;Lady and the Tramp (Clyde Geronimi, Wilfred Jackson, Hamilton Luske 1955)&lt;br /&gt;The Jungle Book (Wolfgang Reitherman 1967)&lt;br /&gt;The Aristocats (Wolfgang Reitherman 1970)&lt;br /&gt;The Pianist (Roman Polanski 2002)&lt;br /&gt;The Piano (Jane Campion 1993)&lt;br /&gt;Being John Malkovich (Spike Jonze 1999)&lt;br /&gt;The Big Lebowski (Joel &amp;amp; Ethan Coen 1998)&lt;br /&gt;Artificial Intelligence (Steven Spielberg 2001)&lt;br /&gt;Hable con Ella (Pedro Almodovar 2002)&lt;br /&gt;Lethal Weapon (Richard Donner 1987)&lt;br /&gt;The Apartment (Billy Wilder 1960)&lt;br /&gt;Barefoot in the Park (Gene Saks 1967)&lt;br /&gt;Apocalypse Now (Farncis Ford Coppola 1979)&lt;br /&gt;Rear Window (Alfred Hitchcock 1954)&lt;br /&gt;The Trouble with Harry (Alfred Hiychcock 1955)&lt;br /&gt;Paper Moon (Peter Bogdanovich 1973)&lt;br /&gt;Moulin Rouge (Baz Luhrman 2001)&lt;br /&gt;101 Dalmatians (Clyde Geronimi, Hamilton Luske, Wolfgang Reitherman)&lt;br /&gt;Jaws (Steven Spielberg 1975)&lt;br /&gt;Scream (Wes Craven 1996)&lt;br /&gt;Deep Blue Sea (Renny Harlin 1999)&lt;br /&gt;The Exorcist (William Friedkin 1973)&lt;br /&gt;12 Angry Men (Sydney Lumet 1957)&lt;br /&gt;The Shining (Stanley Kubrick 1980)&lt;br /&gt;Hair (Milos Forman 1979)&lt;br /&gt;A Clockwork Orange (Stanley Kubrick 1971)&lt;br /&gt;Ghostship (Steve Beck 2002)&lt;br /&gt;Amelie (Jean-Pierre Jeunet 2001)&lt;br /&gt;The Lord of the Rings (Peter Jackson 2001)&lt;br /&gt;The Usual Suspects (Bryan Sdinger 1995)&lt;br /&gt;Forrest Gump (Robert Zemeckis 1994)&lt;br /&gt;Snow White and the Seven Dwarfs (David Hand 1937)&lt;br /&gt;Sin City (Frank Miller, Robert Rodriguez, Quentin Tarantino 2005)&lt;br /&gt;Dead Poets Society (Peter Weir 1989)&lt;br /&gt;Alexander (Oliver Stone 2004)&lt;br /&gt;Animal Farm (Joy Batchelor, John Halas 1954)&lt;br /&gt;Good Morning Vietnam (Barry Levinson 1987)&lt;br /&gt;Apocalypto (Mel Gibson 2006)&lt;br /&gt;The Mask (Chuck Russle 1994)&lt;br /&gt;Ocean`s Eleven (Steven Soderbergh 2001)&lt;br /&gt;The Day After Tomorrow (Roland Emmerich 2004)&lt;br /&gt;Edward Scissorhands (Tim Burton 1990)&lt;br /&gt;Pan`s Labyrinth (Guillermo del Torro 2006)&lt;br /&gt;Gangs of New York (Martin Scorsese 2002)&lt;br /&gt;The Game (David Fincher 1997)&lt;br /&gt;Patch Adams (Tom Shadiac 1998)&lt;br /&gt;The Pursuit of Happyness (Gabriele Muccino 2006)&lt;br /&gt;Singin in the Rain (Stanley Donen, Gene Kelly 1952)&lt;br /&gt;Tremors (Ron Underwood 1990)&lt;br /&gt;Spartacus (Stanley Kubrick, Anthony Mann 1960)&lt;br /&gt;Tootsie (Sydney Pollack 1982)&lt;br /&gt;Indiana Jones (Steven Spielberg 1981)&lt;br /&gt;Todo Sobre mi Madre (Pedro Almodovar 1999)&lt;br /&gt;It`s a Wonderful Life (Frank Capra 1946)&lt;br /&gt;On The Waterfront (Elia Kazan 1954)&lt;br /&gt;Mar Adentro (Alejandro Amenabar 2004)&lt;br /&gt;Intacto (Juan Carlos Fresnadillo 2001)&lt;br /&gt;Scent of A Woman (Martin Brest 1992)&lt;br /&gt;&lt;br /&gt;neaparat:&lt;br /&gt;&lt;br /&gt;All About Eve (1950)&lt;br /&gt;Blade Runner (1982)&lt;br /&gt;The Big Sleep (1946)&lt;br /&gt;The Conversation (1972)&lt;br /&gt;Double Indemnity (1944)&lt;br /&gt;Dog Day Afernoon (1975)&lt;br /&gt;His Girl Friday (1940) - best comedy ever&lt;br /&gt;Le Jetee (1962) - short film&lt;br /&gt;Lawrence of Arabia (1962)&lt;br /&gt;The Great Escape (1963)&lt;br /&gt;Modern Times (1936)&lt;br /&gt;Vertigo (1958)&lt;br /&gt;Notorious (1946)&lt;br /&gt;The Philadelphia Story (1940)&lt;br /&gt;Roman Holiday (1953)&lt;br /&gt;One Flew Over the Cuckoo's Nest (1975)&lt;br /&gt;To Have and Have Not (1944)&lt;br /&gt;To Kill a Mockingbird (1962)&lt;br /&gt;The Treasure of the Sierra Madre (1948)&lt;br /&gt;Brief Encounter (1945)&lt;br /&gt;City Lights (1931)&lt;br /&gt;The Lion in Winter (1968)&lt;br /&gt;Network (1976)&lt;br /&gt;Scarface (1983)&lt;br /&gt;Shadow of a Doubt (1943)&lt;br /&gt;The Maltese Falcon (1941)&lt;br /&gt;The Seventh Seal (1957)&lt;br /&gt;Brazil (1985)&lt;br /&gt;Harvey (1950)&lt;br /&gt;North by Northwest (1959)&lt;br /&gt;A Streetcar Named Desire (1951)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4483226578495990809-7102653715573509301?l=wheretheinternetends.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wheretheinternetends.blogspot.com/feeds/7102653715573509301/comments/default' title='Postare comentarii'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4483226578495990809&amp;postID=7102653715573509301' title='0 comentarii'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/7102653715573509301'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/7102653715573509301'/><link rel='alternate' type='text/html' href='http://wheretheinternetends.blogspot.com/2010/02/de-vazut.html' title='de vazut.'/><author><name>cunely</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_CRDGGl3s9QQ/TTiUJGWBOPI/AAAAAAAAAys/tjgOeFaIhHw/S220/Denisa_Mihaela_Puica.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4483226578495990809.post-784614351717073445</id><published>2010-02-09T12:48:00.003-08:00</published><updated>2010-02-09T12:49:31.639-08:00</updated><title type='text'>Design. Interior.</title><content type='html'>&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4483226578495990809-784614351717073445?l=wheretheinternetends.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wheretheinternetends.blogspot.com/feeds/784614351717073445/comments/default' title='Postare comentarii'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4483226578495990809&amp;postID=784614351717073445' title='0 comentarii'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/784614351717073445'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/784614351717073445'/><link rel='alternate' type='text/html' href='http://wheretheinternetends.blogspot.com/2010/02/design-interior.html' title='Design. Interior.'/><author><name>cunely</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_CRDGGl3s9QQ/TTiUJGWBOPI/AAAAAAAAAys/tjgOeFaIhHw/S220/Denisa_Mihaela_Puica.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4483226578495990809.post-2212986704633556111</id><published>2010-02-09T12:48:00.001-08:00</published><updated>2010-02-09T12:48:26.982-08:00</updated><title type='text'>Piesa Podu'</title><content type='html'>&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4483226578495990809-2212986704633556111?l=wheretheinternetends.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wheretheinternetends.blogspot.com/feeds/2212986704633556111/comments/default' title='Postare comentarii'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4483226578495990809&amp;postID=2212986704633556111' title='0 comentarii'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/2212986704633556111'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/2212986704633556111'/><link rel='alternate' type='text/html' href='http://wheretheinternetends.blogspot.com/2010/02/piesa-podu.html' title='Piesa Podu&apos;'/><author><name>cunely</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_CRDGGl3s9QQ/TTiUJGWBOPI/AAAAAAAAAys/tjgOeFaIhHw/S220/Denisa_Mihaela_Puica.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4483226578495990809.post-7995964659863154568</id><published>2010-02-09T12:44:00.002-08:00</published><updated>2010-02-09T16:43:46.267-08:00</updated><title type='text'>de citit.</title><content type='html'>Editura Rao si Peter Boxall recomanda urmatoarele 1001 de carti :&lt;br /&gt;&lt;br /&gt;&lt;ol&gt;&lt;li&gt;Never Let Me Go – Kazuo Ishiguro&lt;/li&gt;&lt;li&gt;Saturday – Ian McEwan&lt;/li&gt;&lt;li&gt;On Beauty – Zadie Smith&lt;br /&gt;&lt;/li&gt;&lt;/ol&gt;Slow Man – J.M. Coetzee&lt;br /&gt;Adjunct: An Undigest – Peter Manson&lt;br /&gt;The Sea – John Banville&lt;br /&gt;The Red Queen – Margaret Drabble&lt;br /&gt;The Plot Against America – Philip Roth&lt;br /&gt;The Master – Colm Tóibín&lt;br /&gt;Vanishing Point – David Markson&lt;br /&gt;The Lambs of London – Peter Ackroyd&lt;br /&gt;Dining on Stones – Iain Sinclair&lt;br /&gt;Cloud Atlas – David Mitchell&lt;br /&gt;Drop City – T. Coraghessan Boyle&lt;br /&gt;The Colour – Rose Tremain&lt;br /&gt;Thursbitch – Alan Garner&lt;br /&gt;The Light of Day – Graham Swift&lt;br /&gt;What I Loved – Siri Hustvedt&lt;br /&gt;The Curious Incident of the Dog in the Night-Time – Mark Haddon&lt;br /&gt;Islands – Dan Sleigh&lt;br /&gt;Elizabeth Costello – J.M. Coetzee&lt;br /&gt;London Orbital – Iain Sinclair&lt;br /&gt;Family Matters – Rohinton Mistry&lt;br /&gt;Fingersmith – Sarah Waters&lt;br /&gt;The Double – José Saramago&lt;br /&gt;Everything is Illuminated – Jonathan Safran Foer&lt;br /&gt;Unless – Carol Shields&lt;br /&gt;Kafka on the Shore – Haruki Murakami&lt;br /&gt;The Story of Lucy Gault – William Trevor&lt;br /&gt;That They May Face the Rising Sun – John McGahern&lt;br /&gt;In the Forest – Edna O’Brien&lt;br /&gt;Shroud – John Banville&lt;br /&gt;Middlesex – Jeffrey Eugenides&lt;br /&gt;Youth – J.M. Coetzee&lt;br /&gt;Dead Air – Iain Banks&lt;br /&gt;Nowhere Man – Aleksandar Hemon&lt;br /&gt;The Book of Illusions – Paul Auster&lt;br /&gt;Gabriel’s Gift – Hanif Kureishi&lt;br /&gt;Austerlitz – W.G. Sebald&lt;br /&gt;Platform – Michael Houellebecq&lt;br /&gt;Schooling – Heather McGowan&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Atonement – Ian McEwan&lt;/span&gt;&lt;br /&gt;The Corrections – Jonathan Franzen&lt;br /&gt;Don’t Move – Margaret Mazzantini&lt;br /&gt;The Body Artist – Don DeLillo&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Fury – Salman Rushdie&lt;/span&gt;&lt;br /&gt;At Swim, Two Boys – Jamie O’Neill&lt;br /&gt;Choke – Chuck Palahniuk&lt;br /&gt;Life of Pi – Yann Martel&lt;br /&gt;The Feast of the Goat – Mario Vargos Llosa&lt;br /&gt;An Obedient Father – Akhil Sharma&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Devil and Miss Prym – Paulo Coelho&lt;/span&gt;&lt;br /&gt;Spring Flowers, Spring Frost – Ismail Kadare&lt;br /&gt;White Teeth – Zadie Smith&lt;br /&gt;The Heart of Redness – Zakes Mda&lt;br /&gt;Under the Skin – Michel Faber&lt;br /&gt;Ignorance – Milan Kundera&lt;br /&gt;Nineteen Seventy Seven – David Peace&lt;br /&gt;Celestial Harmonies – Péter Esterházy&lt;br /&gt;City of God – E.L. Doctorow&lt;br /&gt;How the Dead Live – Will Self&lt;br /&gt;The Human Stain – Philip Roth&lt;br /&gt;The Blind Assassin – Margaret Atwood&lt;br /&gt;After the Quake – Haruki Murakami&lt;br /&gt;Small Remedies – Shashi Deshpande&lt;br /&gt;Super-Cannes – J.G. Ballard&lt;br /&gt;House of Leaves – Mark Z. Danielewski&lt;br /&gt;Blonde – Joyce Carol Oates&lt;br /&gt;Pastoralia – George Saunders&lt;br /&gt;Timbuktu – Paul Auster&lt;br /&gt;The Romantics – Pankaj Mishra&lt;br /&gt;Cryptonomicon – Neal Stephenson&lt;br /&gt;As If I Am Not There – Slavenka Drakuli?&lt;br /&gt;Everything You Need – A.L. Kennedy&lt;br /&gt;Fear and Trembling – Amélie Nothomb&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Ground Beneath Her Feet – Salman Rushdie&lt;/span&gt;&lt;br /&gt;Disgrace – J.M. Coetzee&lt;br /&gt;Sputnik Sweetheart – Haruki Murakami&lt;br /&gt;Elementary Particles – Michel Houellebecq&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Intimacy – Hanif Kureishi&lt;/span&gt;&lt;br /&gt;Amsterdam – Ian McEwan&lt;br /&gt;Cloudsplitter – Russell Banks&lt;br /&gt;All Souls Day – Cees Nooteboom&lt;br /&gt;The Talk of the Town – Ardal O’Hanlon&lt;br /&gt;Tipping the Velvet – Sarah Waters&lt;br /&gt;The Poisonwood Bible – Barbara Kingsolver&lt;br /&gt;Glamorama – Bret Easton Ellis&lt;br /&gt;Another World – Pat Barker&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Hours – Michael Cunningham&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Veronika Decides to Die – Paulo Coelho&lt;/span&gt;&lt;br /&gt;Mason &amp;amp; Dixon – Thomas Pynchon&lt;br /&gt;The God of Small Things – Arundhati Roy&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Memoirs of a Geisha – Arthur Golden&lt;/span&gt;&lt;br /&gt;Great Apes – Will Self&lt;br /&gt;Enduring Love – Ian McEwan&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Underworld – Don DeLillo&lt;/span&gt;&lt;br /&gt;Jack Maggs – Peter Carey&lt;br /&gt;The Life of Insects – Victor Pelevin&lt;br /&gt;American Pastoral – Philip Roth&lt;br /&gt;The Untouchable – John Banville&lt;br /&gt;Silk – Alessandro Baricco&lt;br /&gt;Cocaine Nights – J.G. Ballard&lt;br /&gt;Hallucinating Foucault – Patricia Duncker&lt;br /&gt;Fugitive Pieces – Anne Michaels&lt;br /&gt;The Ghost Road – Pat Barker&lt;br /&gt;Forever a Stranger – Hella Haasse&lt;br /&gt;Infinite Jest – David Foster Wallace&lt;br /&gt;The Clay Machine-Gun – Victor Pelevin&lt;br /&gt;Alias Grace – Margaret Atwood&lt;br /&gt;The Unconsoled – Kazuo Ishiguro&lt;br /&gt;Morvern Callar – Alan Warner&lt;br /&gt;The Information – Martin Amis&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Moor’s Last Sigh – Salman Rushdie&lt;/span&gt;&lt;br /&gt;Sabbath’s Theater – Philip Roth&lt;br /&gt;The Rings of Saturn – W.G. Sebald&lt;br /&gt;The Reader – Bernhard Schlink&lt;br /&gt;A Fine Balance – Rohinton Mistry&lt;br /&gt;Love’s Work – Gillian Rose&lt;br /&gt;The End of the Story – Lydia Davis&lt;br /&gt;Mr. Vertigo – Paul Auster&lt;br /&gt;The Folding Star – Alan Hollinghurst&lt;br /&gt;Whatever – Michel Houellebecq&lt;br /&gt;Land – Park Kyong-ni&lt;br /&gt;The Master of Petersburg – J.M. Coetzee&lt;br /&gt;The Wind-Up Bird Chronicle – Haruki Murakami&lt;br /&gt;Pereira Declares: A Testimony – Antonio Tabucchi&lt;br /&gt;City Sister Silver – Jàchym Topol&lt;br /&gt;How Late It Was, How Late – James Kelman&lt;br /&gt;Captain Corelli’s Mandolin – Louis de Bernieres&lt;br /&gt;Felicia’s Journey – William Trevor&lt;br /&gt;Disappearance – David Dabydeen&lt;br /&gt;The Invention of Curried Sausage – Uwe Timm&lt;br /&gt;The Shipping News – E. Annie Proulx&lt;br /&gt;Trainspotting – Irvine Welsh&lt;br /&gt;Birdsong – Sebastian Faulks&lt;br /&gt;Looking for the Possible Dance – A.L. Kennedy&lt;br /&gt;Operation Shylock – Philip Roth&lt;br /&gt;Complicity – Iain Banks&lt;br /&gt;On Love – Alain de Botton&lt;br /&gt;What a Carve Up! – Jonathan Coe&lt;br /&gt;A Suitable Boy – Vikram Seth&lt;br /&gt;The Stone Diaries – Carol Shields&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Virgin Suicides – Jeffrey Eugenides&lt;/span&gt;&lt;br /&gt;The House of Doctor Dee – Peter Ackroyd&lt;br /&gt;The Robber Bride – Margaret Atwood&lt;br /&gt;The Emigrants – W.G. Sebald&lt;br /&gt;The Secret History – Donna Tartt&lt;br /&gt;Life is a Caravanserai – Emine Özdamar&lt;br /&gt;The Discovery of Heaven – Harry Mulisch&lt;br /&gt;A Heart So White – Javier Marias&lt;br /&gt;Possessing the Secret of Joy – Alice Walker&lt;br /&gt;Indigo – Marina Warner&lt;br /&gt;The Crow Road – Iain Banks&lt;br /&gt;Written on the Body – Jeanette Winterson&lt;br /&gt;Jazz – Toni Morrison&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The English Patient – Michael Ondaatje&lt;/span&gt;&lt;br /&gt;Smilla’s Sense of Snow – Peter Høeg&lt;br /&gt;The Butcher Boy – Patrick McCabe&lt;br /&gt;Black Water – Joyce Carol Oates&lt;br /&gt;The Heather Blazing – Colm Tóibín&lt;br /&gt;Asphodel – H.D. (Hilda Doolittle)&lt;br /&gt;Black Dogs – Ian McEwan&lt;br /&gt;Hideous Kinky – Esther Freud&lt;br /&gt;Arcadia – Jim Crace&lt;br /&gt;Wild Swans – Jung Chang&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;American Psycho – Bret Easton Ellis&lt;/span&gt;&lt;br /&gt;Time’s Arrow – Martin Amis&lt;br /&gt;Mao II – Don DeLillo&lt;br /&gt;Typical – Padgett Powell&lt;br /&gt;Regeneration – Pat Barker&lt;br /&gt;Downriver – Iain Sinclair&lt;br /&gt;Señor Vivo and the Coca Lord – Louis de Bernieres&lt;br /&gt;Wise Children – Angela Carter&lt;br /&gt;Get Shorty – Elmore Leonard&lt;br /&gt;Amongst Women – John McGahern&lt;br /&gt;Vineland – Thomas Pynchon&lt;br /&gt;Vertigo – W.G. Sebald&lt;br /&gt;Stone Junction – Jim Dodge&lt;br /&gt;The Music of Chance – Paul Auster&lt;br /&gt;The Things They Carried – Tim O’Brien&lt;br /&gt;A Home at the End of the World – Michael Cunningham&lt;br /&gt;Like Life – Lorrie Moore&lt;br /&gt;Possession – A.S. Byatt&lt;br /&gt;The Buddha of Suburbia – Hanif Kureishi&lt;br /&gt;The Midnight Examiner – William Kotzwinkle&lt;br /&gt;A Disaffection – James Kelman&lt;br /&gt;Sexing the Cherry – Jeanette Winterson&lt;br /&gt;Moon Palace – Paul Auster&lt;br /&gt;Billy Bathgate – E.L. Doctorow&lt;br /&gt;Remains of the Day – Kazuo Ishiguro&lt;br /&gt;The Melancholy of Resistance – László Krasznahorkai&lt;br /&gt;The Temple of My Familiar – Alice Walker&lt;br /&gt;The Trick is to Keep Breathing – Janice Galloway&lt;br /&gt;The History of the Siege of Lisbon – José Saramago&lt;br /&gt;Like Water for Chocolate – Laura Esquivel&lt;br /&gt;A Prayer for Owen Meany – John Irving&lt;br /&gt;London Fields – Martin Amis&lt;br /&gt;The Book of Evidence – John Banville&lt;br /&gt;Cat’s Eye – Margaret Atwood&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Foucault’s Pendulum – Umberto Eco&lt;/span&gt;&lt;br /&gt;The Beautiful Room is Empty – Edmund White&lt;br /&gt;Wittgenstein’s Mistress – David Markson&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Satanic Verses – Salman Rushdie&lt;/span&gt;&lt;br /&gt;The Swimming-Pool Library – Alan Hollinghurst&lt;br /&gt;Oscar and Lucinda – Peter Carey&lt;br /&gt;Libra – Don DeLillo&lt;br /&gt;The Player of Games – Iain M. Banks&lt;br /&gt;Nervous Conditions – Tsitsi Dangarembga&lt;br /&gt;The Long Dark Teatime of the Soul – Douglas Adams&lt;br /&gt;Dirk Gently’s Holistic Detective Agency – Douglas Adams&lt;br /&gt;The Radiant Way – Margaret Drabble&lt;br /&gt;The Afternoon of a Writer – Peter Handke&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Black Dahlia – James Ellroy&lt;/span&gt;&lt;br /&gt;The Passion – Jeanette Winterson&lt;br /&gt;The Pigeon – Patrick Süskind&lt;br /&gt;The Child in Time – Ian McEwan&lt;br /&gt;Cigarettes – Harry Mathews&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Bonfire of the Vanities – Tom Wolfe&lt;/span&gt;&lt;br /&gt;The New York Trilogy – Paul Auster&lt;br /&gt;World’s End – T. Coraghessan Boyle&lt;br /&gt;Enigma of Arrival – V.S. Naipaul&lt;br /&gt;The Taebek Mountains – Jo Jung-rae&lt;br /&gt;Beloved – Toni Morrison&lt;br /&gt;Anagrams – Lorrie Moore&lt;br /&gt;Matigari – Ngugi Wa Thiong’o&lt;br /&gt;Marya – Joyce Carol Oates&lt;br /&gt;Watchmen – Alan Moore &amp;amp; David Gibbons&lt;br /&gt;The Old Devils – Kingsley Amis&lt;br /&gt;Lost Language of Cranes – David Leavitt&lt;br /&gt;An Artist of the Floating World – Kazuo Ishiguro&lt;br /&gt;Extinction – Thomas Bernhard&lt;br /&gt;Foe – J.M. Coetzee&lt;br /&gt;The Drowned and the Saved – Primo Levi&lt;br /&gt;Reasons to Live – Amy Hempel&lt;br /&gt;The Parable of the Blind – Gert Hofmann&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Love in the Time of Cholera – Gabriel García Márquez&lt;/span&gt;&lt;br /&gt;Oranges Are Not the Only Fruit – Jeanette Winterson&lt;br /&gt;The Cider House Rules – John Irving&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;A Maggot – John Fowles&lt;/span&gt;&lt;br /&gt;Less Than Zero – Bret Easton Ellis&lt;br /&gt;Contact – Carl Sagan&lt;br /&gt;The Handmaid’s Tale – Margaret Atwood&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Perfume – Patrick Süskind&lt;/span&gt;&lt;br /&gt;Old Masters – Thomas Bernhard&lt;br /&gt;White Noise – Don DeLillo&lt;br /&gt;Queer – William Burroughs&lt;br /&gt;Hawksmoor – Peter Ackroyd&lt;br /&gt;Legend – David Gemmell&lt;br /&gt;Dictionary of the Khazars – Milorad Pavi?&lt;br /&gt;The Bus Conductor Hines – James Kelman&lt;br /&gt;The Year of the Death of Ricardo Reis – José Saramago&lt;br /&gt;The Lover – Marguerite Duras&lt;br /&gt;Empire of the Sun – J.G. Ballard&lt;br /&gt;The Wasp Factory – Iain Banks&lt;br /&gt;Nights at the Circus – Angela Carter&lt;br /&gt;The Unbearable Lightness of Being – Milan Kundera&lt;br /&gt;Blood and Guts in High School – Kathy Acker&lt;br /&gt;Neuromancer – William Gibson&lt;br /&gt;Flaubert’s Parrot – Julian Barnes&lt;br /&gt;Money: A Suicide Note – Martin Amis&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Shame – Salman Rushdie&lt;/span&gt;&lt;br /&gt;Worstward Ho – Samuel Beckett&lt;br /&gt;Fools of Fortune – William Trevor&lt;br /&gt;La Brava – Elmore Leonard&lt;br /&gt;Waterland – Graham Swift&lt;br /&gt;The Life and Times of Michael K – J.M. Coetzee&lt;br /&gt;The Diary of Jane Somers – Doris Lessing&lt;br /&gt;The Piano Teacher – Elfriede Jelinek&lt;br /&gt;The Sorrow of Belgium – Hugo Claus&lt;br /&gt;If Not Now, When? – Primo Levi&lt;br /&gt;A Boy’s Own Story – Edmund White&lt;br /&gt;The Color Purple – Alice Walker&lt;br /&gt;Wittgenstein’s Nephew – Thomas Bernhard&lt;br /&gt;A Pale View of Hills – Kazuo Ishiguro&lt;br /&gt;Schindler’s Ark – Thomas Keneally&lt;br /&gt;The House of the Spirits – Isabel Allende&lt;br /&gt;The Newton Letter – John Banville&lt;br /&gt;On the Black Hill – Bruce Chatwin&lt;br /&gt;Concrete – Thomas Bernhard&lt;br /&gt;The Names – Don DeLillo&lt;br /&gt;Rabbit is Rich – John Updike&lt;br /&gt;Lanark: A Life in Four Books – Alasdair Gray&lt;br /&gt;The Comfort of Strangers – Ian McEwan&lt;br /&gt;July’s People – Nadine Gordimer&lt;br /&gt;Summer in Baden-Baden – Leonid Tsypkin&lt;br /&gt;Broken April – Ismail Kadare&lt;br /&gt;Waiting for the Barbarians – J.M. Coetzee&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Midnight’s Children – Salman Rushdie&lt;/span&gt;&lt;br /&gt;Rites of Passage – William Golding&lt;br /&gt;Rituals – Cees Nooteboom&lt;br /&gt;Confederacy of Dunces – John Kennedy Toole&lt;br /&gt;City Primeval – Elmore Leonard&lt;br /&gt;The Name of the Rose – Umberto Eco&lt;br /&gt;The Book of Laughter and Forgetting – Milan Kundera&lt;br /&gt;Smiley’s People – John Le Carré&lt;br /&gt;Shikasta – Doris Lessing&lt;br /&gt;A Bend in the River – V.S. Naipaul&lt;br /&gt;Burger’s Daughter - Nadine Gordimer&lt;br /&gt;The Safety Net – Heinrich Böll&lt;br /&gt;If On a Winter’s Night a Traveler – Italo Calvino&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Hitchhiker’s Guide to the Galaxy – Douglas Adams&lt;/span&gt;&lt;br /&gt;The Cement Garden – Ian McEwan&lt;br /&gt;The World According to Garp – John Irving&lt;br /&gt;Life: A User’s Manual – Georges Perec&lt;br /&gt;The Sea, The Sea – Iris Murdoch&lt;br /&gt;The Singapore Grip – J.G. Farrell&lt;br /&gt;Yes – Thomas Bernhard&lt;br /&gt;The Virgin in the Garden – A.S. Byatt&lt;br /&gt;In the Heart of the Country – J.M. Coetzee&lt;br /&gt;The Passion of New Eve – Angela Carter&lt;br /&gt;Delta of Venus – Anaïs Nin&lt;br /&gt;The Shining – Stephen King&lt;br /&gt;Dispatches – Michael Herr&lt;br /&gt;Petals of Blood – Ngugi Wa Thiong’o&lt;br /&gt;Song of Solomon – Toni Morrison&lt;br /&gt;The Hour of the Star – Clarice Lispector&lt;br /&gt;The Left-Handed Woman – Peter Handke&lt;br /&gt;Ratner’s Star – Don DeLillo&lt;br /&gt;The Public Burning – Robert Coover&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Interview With the Vampire – Anne Rice&lt;/span&gt;&lt;br /&gt;Cutter and Bone – Newton Thornburg&lt;br /&gt;Amateurs – Donald Barthelme&lt;br /&gt;Patterns of Childhood – Christa Wolf&lt;br /&gt;Autumn of the Patriarch – Gabriel García Márquez&lt;br /&gt;W, or the Memory of Childhood – Georges Perec&lt;br /&gt;A Dance to the Music of Time – Anthony Powell&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Grimus – Salman Rushdie&lt;/span&gt;&lt;br /&gt;The Dead Father – Donald Barthelme&lt;br /&gt;Fateless – Imre Kertész&lt;br /&gt;Willard and His Bowling Trophies – Richard Brautigan&lt;br /&gt;High Rise – J.G. Ballard&lt;br /&gt;Humboldt’s Gift – Saul Bellow&lt;br /&gt;Dead Babies – Martin Amis&lt;br /&gt;Correction – Thomas Bernhard&lt;br /&gt;Ragtime – E.L. Doctorow&lt;br /&gt;The Fan Man – William Kotzwinkle&lt;br /&gt;Dusklands – J.M. Coetzee&lt;br /&gt;The Lost Honor of Katharina Blum – Heinrich Böll&lt;br /&gt;Tinker Tailor Soldier Spy – John Le Carré&lt;br /&gt;Breakfast of Champions – Kurt Vonnegut, Jr.&lt;br /&gt;Fear of Flying – Erica Jong&lt;br /&gt;A Question of Power – Bessie Head&lt;br /&gt;The Siege of Krishnapur – J.G. Farrell&lt;br /&gt;The Castle of Crossed Destinies – Italo Calvino&lt;br /&gt;Crash – J.G. Ballard&lt;br /&gt;The Honorary Consul – Graham Greene&lt;br /&gt;Gravity’s Rainbow – Thomas Pynchon&lt;br /&gt;The Black Prince – Iris Murdoch&lt;br /&gt;Sula – Toni Morrison&lt;br /&gt;Invisible Cities – Italo Calvino&lt;br /&gt;The Breast – Philip Roth&lt;br /&gt;The Summer Book – Tove Jansson&lt;br /&gt;G – John Berger&lt;br /&gt;Surfacing – Margaret Atwood&lt;br /&gt;House Mother Normal – B.S. Johnson&lt;br /&gt;In A Free State – V.S. Naipaul&lt;br /&gt;The Book of Daniel – E.L. Doctorow&lt;br /&gt;Fear and Loathing in Las Vegas – Hunter S. Thompson&lt;br /&gt;Group Portrait With Lady – Heinrich Böll&lt;br /&gt;The Wild Boys – William Burroughs&lt;br /&gt;Rabbit Redux – John Updike&lt;br /&gt;The Sea of Fertility – Yukio Mishima&lt;br /&gt;The Driver’s Seat – Muriel Spark&lt;br /&gt;The Ogre – Michael Tournier&lt;br /&gt;The Bluest Eye – Toni Morrison&lt;br /&gt;Goalie’s Anxiety at the Penalty Kick – Peter Handke&lt;br /&gt;I Know Why the Caged Bird Sings – Maya Angelou&lt;br /&gt;Mercier et Camier – Samuel Beckett&lt;br /&gt;Troubles – J.G. Farrell&lt;br /&gt;Jahrestage – Uwe Johnson&lt;br /&gt;The Atrocity Exhibition – J.G. Ballard&lt;br /&gt;Tent of Miracles – Jorge Amado&lt;br /&gt;Pricksongs and Descants – Robert Coover&lt;br /&gt;Blind Man With a Pistol – Chester Hines&lt;br /&gt;Slaughterhouse-five – Kurt Vonnegut, Jr.&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The French Lieutenant’s Woman – John Fowles&lt;/span&gt;&lt;br /&gt;The Green Man – Kingsley Amis&lt;br /&gt;Portnoy’s Complaint – Philip Roth&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Godfather – Mario Puzo&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Ada – Vladimir Nabokov&lt;/span&gt;&lt;br /&gt;Them – Joyce Carol Oates&lt;br /&gt;A Void/Avoid – Georges Perec&lt;br /&gt;Eva Trout – Elizabeth Bowen&lt;br /&gt;Myra Breckinridge – Gore Vidal&lt;br /&gt;The Nice and the Good – Iris Murdoch&lt;br /&gt;Belle du Seigneur – Albert Cohen&lt;br /&gt;Cancer Ward – Aleksandr Isayevich Solzhenitsyn&lt;br /&gt;The First Circle – Aleksandr Isayevich Solzhenitsyn&lt;br /&gt;2001: A Space Odyssey – Arthur C. Clarke&lt;br /&gt;Do Androids Dream of Electric Sheep? – Philip K. Dick&lt;br /&gt;Dark as the Grave Wherein My Friend is Laid – Malcolm Lowry&lt;br /&gt;The German Lesson – Siegfried Lenz&lt;br /&gt;In Watermelon Sugar – Richard Brautigan&lt;br /&gt;A Kestrel for a Knave – Barry Hines&lt;br /&gt;The Quest for Christa T. – Christa Wolf&lt;br /&gt;Chocky – John Wyndham&lt;br /&gt;The Electric Kool-Aid Acid Test – Tom Wolfe&lt;br /&gt;The Cubs and Other Stories – Mario Vargas Llosa&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;One Hundred Years of Solitude - Gabriel García Márquez&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Master and Margarita – Mikhail Bulgakov&lt;/span&gt;&lt;br /&gt;Pilgrimage – Dorothy Richardson&lt;br /&gt;The Joke – Milan Kundera&lt;br /&gt;No Laughing Matter – Angus Wilson&lt;br /&gt;The Third Policeman – Flann O’Brien&lt;br /&gt;A Man Asleep – Georges Perec&lt;br /&gt;The Birds Fall Down – Rebecca West&lt;br /&gt;Trawl – B.S. Johnson&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;In Cold Blood – Truman Capote&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Magus – John Fowles&lt;/span&gt;&lt;br /&gt;The Vice-Consul – Marguerite Duras&lt;br /&gt;Wide Sargasso Sea – Jean Rhys&lt;br /&gt;Giles Goat-Boy – John Barth&lt;br /&gt;The Crying of Lot 49 – Thomas Pynchon&lt;br /&gt;Things – Georges Perec&lt;br /&gt;The River Between – Ngugi wa Thiong’o&lt;br /&gt;August is a Wicked Month – Edna O’Brien&lt;br /&gt;God Bless You, Mr. Rosewater – Kurt Vonnegut&lt;br /&gt;Everything That Rises Must Converge – Flannery O’Connor&lt;br /&gt;The Passion According to G.H. – Clarice Lispector&lt;br /&gt;Sometimes a Great Notion – Ken Kesey&lt;br /&gt;Come Back, Dr. Caligari – Donald Bartholme&lt;br /&gt;Albert Angelo – B.S. Johnson&lt;br /&gt;Arrow of God – Chinua Achebe&lt;br /&gt;The Ravishing of Lol V. Stein – Marguerite Duras&lt;br /&gt;Herzog – Saul Bellow&lt;br /&gt;V. – Thomas Pynchon&lt;br /&gt;Cat’s Cradle – Kurt Vonnegut&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Graduate – Charles Webb&lt;/span&gt;&lt;br /&gt;Manon des Sources – Marcel Pagnol&lt;br /&gt;The Spy Who Came in from the Cold – John Le Carré&lt;br /&gt;The Girls of Slender Means – Muriel Spark&lt;br /&gt;Inside Mr. Enderby – Anthony Burgess&lt;br /&gt;The Bell Jar – Sylvia Plath&lt;br /&gt;One Day in the Life of Ivan Denisovich – Aleksandr Isayevich Solzhenitsyn&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Collector – John Fowles&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;One Flew Over the Cuckoo’s Nest – Ken Kesey&lt;/span&gt;&lt;br /&gt;A Clockwork Orange – Anthony Burgess&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Pale Fire – Vladimir Nabokov&lt;/span&gt;&lt;br /&gt;The Drowned World – J.G. Ballard&lt;br /&gt;The Golden Notebook – Doris Lessing&lt;br /&gt;Labyrinths – Jorg Luis Borges&lt;br /&gt;Girl With Green Eyes – Edna O’Brien&lt;br /&gt;The Garden of the Finzi-Continis – Giorgio Bassani&lt;br /&gt;Stranger in a Strange Land – Robert Heinlein&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Franny and Zooey – J.D. Salinger&lt;/span&gt;&lt;br /&gt;A Severed Head – Iris Murdoch&lt;br /&gt;Faces in the Water – Janet Frame&lt;br /&gt;Solaris – Stanislaw Lem&lt;br /&gt;Cat and Mouse – Günter Grass&lt;br /&gt;The Prime of Miss Jean Brodie – Muriel Spark&lt;br /&gt;Catch-22 – Joseph Heller&lt;br /&gt;The Violent Bear it Away – Flannery O’Connor&lt;br /&gt;How It Is – Samuel Beckett&lt;br /&gt;Our Ancestors – Italo Calvino&lt;br /&gt;The Country Girls – Edna O’Brien&lt;br /&gt;To Kill a Mockingbird – Harper Lee&lt;br /&gt;Rabbit, Run – John Updike&lt;br /&gt;Promise at Dawn – Romain Gary&lt;br /&gt;Cider With Rosie – Laurie Lee&lt;br /&gt;Billy Liar – Keith Waterhouse&lt;br /&gt;Naked Lunch – William Burroughs&lt;br /&gt;The Tin Drum – Günter Grass&lt;br /&gt;Absolute Beginners – Colin MacInnes&lt;br /&gt;Henderson the Rain King – Saul Bellow&lt;br /&gt;Memento Mori – Muriel Spark&lt;br /&gt;Billiards at Half-Past Nine – Heinrich Böll&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Breakfast at Tiffany’s – Truman Capote&lt;/span&gt;&lt;br /&gt;The Leopard – Giuseppe Tomasi di Lampedusa&lt;br /&gt;Pluck the Bud and Destroy the Offspring – Kenzaburo Oe&lt;br /&gt;A Town Like Alice – Nevil Shute&lt;br /&gt;The Bitter Glass – Eilís Dillon&lt;br /&gt;Things Fall Apart – Chinua Achebe&lt;br /&gt;Saturday Night and Sunday Morning – Alan Sillitoe&lt;br /&gt;Mrs. ‘Arris Goes to Paris – Paul Gallico&lt;br /&gt;Borstal Boy – Brendan Behan&lt;br /&gt;The End of the Road – John Barth&lt;br /&gt;The Once and Future King – T.H. White&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Bell – Iris Murdoch&lt;/span&gt;&lt;br /&gt;Jealousy – Alain Robbe-Grillet&lt;br /&gt;Voss – Patrick White&lt;br /&gt;The Midwich Cuckoos – John Wyndham&lt;br /&gt;Blue Noon – Georges Bataille&lt;br /&gt;Homo Faber – Max Frisch&lt;br /&gt;On the Road – Jack Kerouac&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Pnin – Vladimir Nabokov&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Doctor Zhivago – Boris Pasternak&lt;/span&gt;&lt;br /&gt;The Wonderful “O” – James Thurber&lt;br /&gt;Justine – Lawrence Durrell&lt;br /&gt;Giovanni’s Room – James Baldwin&lt;br /&gt;The Lonely Londoners – Sam Selvon&lt;br /&gt;The Roots of Heaven – Romain Gary&lt;br /&gt;Seize the Day – Saul Bellow&lt;br /&gt;The Floating Opera – John Barth&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Lord of the Rings – J.R.R. Tolkien&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Talented Mr. Ripley – Patricia Highsmith&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Lolita – Vladimir Nabokov&lt;/span&gt;&lt;br /&gt;A World of Love – Elizabeth Bowen&lt;br /&gt;The Trusting and the Maimed – James Plunkett&lt;br /&gt;The Quiet American – Graham Greene&lt;br /&gt;The Last Temptation of Christ – Nikos Kazantzákis&lt;br /&gt;The Recognitions – William Gaddis&lt;br /&gt;The Ragazzi – Pier Paulo Pasolini&lt;br /&gt;Bonjour Tristesse – Françoise Sagan&lt;br /&gt;I’m Not Stiller – Max Frisch&lt;br /&gt;Self Condemned – Wyndham Lewis&lt;br /&gt;The Story of O – Pauline Réage&lt;br /&gt;A Ghost at Noon – Alberto Moravia&lt;br /&gt;Lord of the Flies – William Golding&lt;br /&gt;Under the Net – Iris Murdoch&lt;br /&gt;The Go-Between – L.P. Hartley&lt;br /&gt;The Long Goodbye – Raymond Chandler&lt;br /&gt;The Unnamable – Samuel Beckett&lt;br /&gt;Watt – Samuel Beckett&lt;br /&gt;Lucky Jim – Kingsley Amis&lt;br /&gt;Junkie – William Burroughs&lt;br /&gt;The Adventures of Augie March – Saul Bellow&lt;br /&gt;Go Tell It on the Mountain – James Baldwin&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Casino Royale – Ian Fleming&lt;/span&gt;&lt;br /&gt;The Judge and His Hangman – Friedrich Dürrenmatt&lt;br /&gt;Invisible Man – Ralph Ellison&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Old Man and the Sea – Ernest Hemingway&lt;/span&gt;&lt;br /&gt;Wise Blood – Flannery O’Connor&lt;br /&gt;The Killer Inside Me – Jim Thompson&lt;br /&gt;Memoirs of Hadrian – Marguerite Yourcenar&lt;br /&gt;Malone Dies – Samuel Beckett&lt;br /&gt;Day of the Triffids – John Wyndham&lt;br /&gt;Foundation – Isaac Asimov&lt;br /&gt;The Opposing Shore – Julien Gracq&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Catcher in the Rye – J.D. Salinger&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Rebel – Albert Camus&lt;/span&gt;&lt;br /&gt;Molloy – Samuel Beckett&lt;br /&gt;The End of the Affair – Graham Greene&lt;br /&gt;The Abbot C – Georges Bataille&lt;br /&gt;The Labyrinth of Solitude – Octavio Paz&lt;br /&gt;The Third Man – Graham Greene&lt;br /&gt;The 13 Clocks – James Thurber&lt;br /&gt;Gormenghast – Mervyn Peake&lt;br /&gt;The Grass is Singing – Doris Lessing&lt;br /&gt;I, Robot – Isaac Asimov&lt;br /&gt;The Moon and the Bonfires – Cesare Pavese&lt;br /&gt;The Garden Where the Brass Band Played – Simon Vestdijk&lt;br /&gt;Love in a Cold Climate – Nancy Mitford&lt;br /&gt;The Case of Comrade Tulayev – Victor Serge&lt;br /&gt;The Heat of the Day – Elizabeth Bowen&lt;br /&gt;Kingdom of This World – Alejo Carpentier&lt;br /&gt;The Man With the Golden Arm – Nelson Algren&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Nineteen Eighty-Four – George Orwell&lt;/span&gt;&lt;br /&gt;All About H. Hatterr – G.V. Desani&lt;br /&gt;Disobedience – Alberto Moravia&lt;br /&gt;Death Sentence – Maurice Blanchot&lt;br /&gt;The Heart of the Matter – Graham Greene&lt;br /&gt;Cry, the Beloved Country – Alan Paton&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Doctor Faustus – Thomas Mann&lt;/span&gt;&lt;br /&gt;The Victim – Saul Bellow&lt;br /&gt;Exercises in Style – Raymond Queneau&lt;br /&gt;If This Is a Man – Primo Levi&lt;br /&gt;Under the Volcano – Malcolm Lowry&lt;br /&gt;The Path to the Nest of Spiders – Italo Calvino&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Plague – Albert Camus&lt;/span&gt;&lt;br /&gt;Back – Henry Green&lt;br /&gt;Titus Groan – Mervyn Peake&lt;br /&gt;The Bridge on the Drina – Ivo Andri?&lt;br /&gt;Brideshead Revisited – Evelyn Waugh&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Animal Farm – George Orwell&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Cannery Row – John Steinbeck&lt;/span&gt;&lt;br /&gt;The Pursuit of Love – Nancy Mitford&lt;br /&gt;Loving – Henry Green&lt;br /&gt;Arcanum 17 – André Breton&lt;br /&gt;Christ Stopped at Eboli – Carlo Levi&lt;br /&gt;The Razor’s Edge – William Somerset Maugham&lt;br /&gt;Transit – Anna Seghers&lt;br /&gt;Ficciones – Jorge Luis Borges&lt;br /&gt;Dangling Man – Saul Bellow&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Little Prince – Antoine de Saint-Exupéry&lt;/span&gt;&lt;br /&gt;Caught – Henry Green&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Glass Bead Game – Herman Hesse&lt;/span&gt;&lt;br /&gt;Embers – Sandor Marai&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Go Down, Moses – William Faulkner&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Outsider – Albert Camus&lt;/span&gt;&lt;br /&gt;In Sicily – Elio Vittorini&lt;br /&gt;The Poor Mouth – Flann O’Brien&lt;br /&gt;The Living and the Dead – Patrick White&lt;br /&gt;Hangover Square – Patrick Hamilton&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Between the Acts – Virginia Woolf&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Hamlet – William Faulkner&lt;/span&gt;&lt;br /&gt;Farewell My Lovely – Raymond Chandler&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;For Whom the Bell Tolls – Ernest Hemingway&lt;/span&gt;&lt;br /&gt;Native Son – Richard Wright&lt;br /&gt;The Power and the Glory – Graham Greene&lt;br /&gt;The Tartar Steppe – Dino Buzzati&lt;br /&gt;Party Going – Henry Green&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Grapes of Wrath – John Steinbeck&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Finnegans Wake – James Joyce&lt;/span&gt;&lt;br /&gt;At Swim-Two-Birds – Flann O’Brien&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Coming Up for Air – George Orwell&lt;/span&gt;&lt;br /&gt;Goodbye to Berlin – Christopher Isherwood&lt;br /&gt;Tropic of Capricorn – Henry Miller&lt;br /&gt;Good Morning, Midnight – Jean Rhys&lt;br /&gt;The Big Sleep – Raymond Chandler&lt;br /&gt;After the Death of Don Juan – Sylvie Townsend Warner&lt;br /&gt;Miss Pettigrew Lives for a Day – Winifred Watson&lt;br /&gt;Nausea – Jean-Paul Sartre&lt;br /&gt;Rebecca – Daphne du Maurier&lt;br /&gt;Cause for Alarm – Eric Ambler&lt;br /&gt;Brighton Rock – Graham Greene&lt;br /&gt;U.S.A. – John Dos Passos&lt;br /&gt;Murphy – Samuel Beckett&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Of Mice and Men – John Steinbeck&lt;/span&gt;&lt;br /&gt;Their Eyes Were Watching God – Zora Neale Hurston&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Hobbit – J.R.R. Tolkien&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Years – Virginia Woolf&lt;/span&gt;&lt;br /&gt;In Parenthesis – David Jones&lt;br /&gt;The Revenge for Love – Wyndham Lewis&lt;br /&gt;Out of Africa – Isak Dineson (Karen Blixen)&lt;br /&gt;To Have and Have Not – Ernest Hemingway&lt;br /&gt;Summer Will Show – Sylvia Townsend Warner&lt;br /&gt;Eyeless in Gaza – Aldous Huxley&lt;br /&gt;The Thinking Reed – Rebecca West&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Gone With the Wind – Margaret Mitchell&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Keep the Aspidistra Flying – George Orwell&lt;/span&gt;&lt;br /&gt;Wild Harbour – Ian MacPherson&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Absalom, Absalom! – William Faulkner&lt;/span&gt;&lt;br /&gt;At the Mountains of Madness – H.P. Lovecraft&lt;br /&gt;Nightwood – Djuna Barnes&lt;br /&gt;Independent People – Halldór Laxness&lt;br /&gt;Auto-da-Fé – Elias Canetti&lt;br /&gt;The Last of Mr. Norris – Christopher Isherwood&lt;br /&gt;They Shoot Horses, Don’t They? – Horace McCoy&lt;br /&gt;The House in Paris – Elizabeth Bowen&lt;br /&gt;England Made Me – Graham Greene&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Burmese Days – George Orwell&lt;/span&gt;&lt;br /&gt;The Nine Tailors – Dorothy L. Sayers&lt;br /&gt;Threepenny Novel – Bertolt Brecht&lt;br /&gt;Novel With Cocaine – M. Ageyev&lt;br /&gt;The Postman Always Rings Twice – James M. Cain&lt;br /&gt;Tropic of Cancer – Henry Miller&lt;br /&gt;A Handful of Dust – Evelyn Waugh&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Tender is the Night – F. Scott Fitzgerald&lt;/span&gt;&lt;br /&gt;Thank You, Jeeves – P.G. Wodehouse&lt;br /&gt;Call it Sleep – Henry Roth&lt;br /&gt;Miss Lonelyhearts – Nathanael West&lt;br /&gt;Murder Must Advertise – Dorothy L. Sayers&lt;br /&gt;The Autobiography of Alice B. Toklas – Gertrude Stein&lt;br /&gt;Testament of Youth – Vera Brittain&lt;br /&gt;A Day Off – Storm Jameson&lt;br /&gt;The Man Without Qualities – Robert Musil&lt;br /&gt;A Scots Quair (Sunset Song) – Lewis Grassic Gibbon&lt;br /&gt;Journey to the End of the Night – Louis-Ferdinand Céline&lt;br /&gt;Brave New World – Aldous Huxley&lt;br /&gt;Cold Comfort Farm – Stella Gibbons&lt;br /&gt;To the North – Elizabeth Bowen&lt;br /&gt;The Thin Man – Dashiell Hammett&lt;br /&gt;The Radetzky March – Joseph Roth&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Waves – Virginia Woolf&lt;/span&gt;&lt;br /&gt;The Glass Key – Dashiell Hammett&lt;br /&gt;Cakes and Ale – W. Somerset Maugham&lt;br /&gt;The Apes of God – Wyndham Lewis&lt;br /&gt;Her Privates We – Frederic Manning&lt;br /&gt;Vile Bodies – Evelyn Waugh&lt;br /&gt;The Maltese Falcon – Dashiell Hammett&lt;br /&gt;Hebdomeros – Giorgio de Chirico&lt;br /&gt;Passing – Nella Larsen&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;A Farewell to Arms – Ernest Hemingway&lt;/span&gt;&lt;br /&gt;Red Harvest – Dashiell Hammett&lt;br /&gt;Living – Henry Green&lt;br /&gt;The Time of Indifference – Alberto Moravia&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;All Quiet on the Western Front – Erich Maria Remarque&lt;/span&gt;&lt;br /&gt;Berlin Alexanderplatz – Alfred Döblin&lt;br /&gt;The Last September – Elizabeth Bowen&lt;br /&gt;Harriet Hume – Rebecca West&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Sound and the Fury – William Faulkner&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Les Enfants Terribles – Jean Cocteau&lt;/span&gt;&lt;br /&gt;Look Homeward, Angel – Thomas Wolfe&lt;br /&gt;Story of the Eye – Georges Bataille&lt;br /&gt;Orlando – Virginia Woolf&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Lady Chatterley’s Lover – D.H. Lawrence&lt;/span&gt;&lt;br /&gt;The Well of Loneliness – Radclyffe Hall&lt;br /&gt;The Childermass – Wyndham Lewis&lt;br /&gt;Quartet – Jean Rhys&lt;br /&gt;Decline and Fall – Evelyn Waugh&lt;br /&gt;Quicksand – Nella Larsen&lt;br /&gt;Parade’s End – Ford Madox Ford&lt;br /&gt;Nadja – André Breton&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Steppenwolf – Herman Hesse&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Remembrance of Things Past – Marcel Proust&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;To The Lighthouse – Virginia Woolf&lt;/span&gt;&lt;br /&gt;Tarka the Otter – Henry Williamson&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Amerika – Franz Kafka&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Sun Also Rises – Ernest Hemingway&lt;/span&gt;&lt;br /&gt;Blindness – Henry Green&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Castle – Franz Kafka&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Good Soldier Švejk – Jaroslav Hašek&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Plumed Serpent – D.H. Lawrence&lt;/span&gt;&lt;br /&gt;One, None and a Hundred Thousand – Luigi Pirandello&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Murder of Roger Ackroyd – Agatha Christie&lt;/span&gt;&lt;br /&gt;The Making of Americans – Gertrude Stein&lt;br /&gt;Manhattan Transfer – John Dos Passos&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Mrs. Dalloway – Virginia Woolf&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Great Gatsby – F. Scott Fitzgerald&lt;/span&gt;&lt;br /&gt;The Counterfeiters – André Gide&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Trial – Franz Kafka&lt;/span&gt;&lt;br /&gt;The Artamonov Business – Maxim Gorky&lt;br /&gt;The Professor’s House – Willa Cather&lt;br /&gt;Billy Budd, Foretopman – Herman Melville&lt;br /&gt;The Green Hat – Michael Arlen&lt;br /&gt;The Magic Mountain – Thomas Mann&lt;br /&gt;We – Yevgeny Zamyatin&lt;br /&gt;A Passage to India – E.M. Forster&lt;br /&gt;The Devil in the Flesh – Raymond Radiguet&lt;br /&gt;Zeno’s Conscience – Italo Svevo&lt;br /&gt;Cane – Jean Toomer&lt;br /&gt;Antic Hay – Aldous Huxley&lt;br /&gt;Amok – Stefan Zweig&lt;br /&gt;The Garden Party – Katherine Mansfield&lt;br /&gt;The Enormous Room – E.E. Cummings&lt;br /&gt;Jacob’s Room – Virginia Woolf&lt;br /&gt;Siddhartha – Herman Hesse&lt;br /&gt;The Glimpses of the Moon – Edith Wharton&lt;br /&gt;Life and Death of Harriett Frean – May Sinclair&lt;br /&gt;The Last Days of Humanity – Karl Kraus&lt;br /&gt;Aaron’s Rod – D.H. Lawrence&lt;br /&gt;Babbitt – Sinclair Lewis&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Ulysses – James Joyce&lt;/span&gt;&lt;br /&gt;The Fox – D.H. Lawrence&lt;br /&gt;Crome Yellow – Aldous Huxley&lt;br /&gt;The Age of Innocence – Edith Wharton&lt;br /&gt;Main Street – Sinclair Lewis&lt;br /&gt;Women in Love – D.H. Lawrence&lt;br /&gt;Night and Day – Virginia Woolf&lt;br /&gt;Tarr – Wyndham Lewis&lt;br /&gt;The Return of the Soldier – Rebecca West&lt;br /&gt;The Shadow Line – Joseph Conrad&lt;br /&gt;Summer – Edith Wharton&lt;br /&gt;Growth of the Soil – Knut Hamsen&lt;br /&gt;Bunner Sisters – Edith Wharton&lt;br /&gt;A Portrait of the Artist as a Young Man – James Joyce&lt;br /&gt;Under Fire – Henri Barbusse&lt;br /&gt;Rashomon – Akutagawa Ryunosuke&lt;br /&gt;The Good Soldier – Ford Madox Ford&lt;br /&gt;The Voyage Out – Virginia Woolf&lt;br /&gt;Of Human Bondage – William Somerset Maugham&lt;br /&gt;The Rainbow – D.H. Lawrence&lt;br /&gt;The Thirty-Nine Steps – John Buchan&lt;br /&gt;Kokoro – Natsume Soseki&lt;br /&gt;Locus Solus – Raymond Roussel&lt;br /&gt;&lt;span style="display: block;" id="formatbar_Buttons"&gt;&lt;span class="" style="display: block;" id="formatbar_Bold" title="Aldin" onmouseover="ButtonHoverOn(this);" onmouseout="ButtonHoverOff(this);" onmouseup="" onmousedown="CheckFormatting(event);FormatbarButton('richeditorframe', this, 3);ButtonMouseDown(this);"&gt;&lt;img src="http://ddailyblog.blogspot.com/2009/01/img/blank.gif" alt="Aldin" class="gl_bold" border="0" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;Rosshalde – Herman Hesse&lt;/span&gt;&lt;br /&gt;Tarzan of the Apes – Edgar Rice Burroughs&lt;br /&gt;The Ragged Trousered Philanthropists – Robert Tressell&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Sons and Lovers – D.H. Lawrence&lt;/span&gt;&lt;br /&gt;Death in Venice – Thomas Mann&lt;br /&gt;The Charwoman’s Daughter – James Stephens&lt;br /&gt;Ethan Frome – Edith Wharton&lt;br /&gt;Fantômas – Marcel Allain and Pierre Souvestre&lt;br /&gt;Howards End – E.M. Forster&lt;br /&gt;Impressions of Africa – Raymond Roussel&lt;br /&gt;Three Lives – Gertrude Stein&lt;br /&gt;Martin Eden – Jack London&lt;br /&gt;Strait is the Gate – André Gide&lt;br /&gt;Tono-Bungay – H.G. Wells&lt;br /&gt;The Inferno – Henri Barbusse&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;A Room With a View – E.M. Forster&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Iron Heel – Jack London&lt;/span&gt;&lt;br /&gt;The Old Wives’ Tale – Arnold Bennett&lt;br /&gt;The House on the Borderland – William Hope Hodgson&lt;br /&gt;Mother – Maxim Gorky&lt;br /&gt;The Secret Agent – Joseph Conrad&lt;br /&gt;The Jungle – Upton Sinclair&lt;br /&gt;Young Törless – Robert Musil&lt;br /&gt;The Forsyte Sage – John Galsworthy&lt;br /&gt;The House of Mirth – Edith Wharton&lt;br /&gt;Professor Unrat – Heinrich Mann&lt;br /&gt;Where Angels Fear to Tread – E.M. Forster&lt;br /&gt;Nostromo – Joseph Conrad&lt;br /&gt;Hadrian the Seventh – Frederick Rolfe&lt;br /&gt;The Golden Bowl – Henry James&lt;br /&gt;The Ambassadors – Henry James&lt;br /&gt;The Riddle of the Sands – Erskine Childers&lt;br /&gt;The Immoralist – André Gide&lt;br /&gt;The Wings of the Dove – Henry James&lt;br /&gt;Heart of Darkness – Joseph Conrad&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Hound of the Baskervilles – Sir Arthur Conan Doyle&lt;/span&gt;&lt;br /&gt;Buddenbrooks – Thomas Mann&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Kim – Rudyard Kipling&lt;/span&gt;&lt;br /&gt;Sister Carrie – Theodore Dreiser&lt;br /&gt;Lord Jim – Joseph Conrad&lt;br /&gt;Some Experiences of an Irish R.M. – Somerville and Ross&lt;br /&gt;The Stechlin – Theodore Fontane&lt;br /&gt;The Awakening – Kate Chopin&lt;br /&gt;The Turn of the Screw – Henry James&lt;br /&gt;The War of the Worlds – H.G. Wells&lt;br /&gt;The Invisible Man – H.G. Wells&lt;br /&gt;What Maisie Knew – Henry James&lt;br /&gt;Fruits of the Earth – André Gide&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Dracula – Bram Stoker&lt;/span&gt;&lt;br /&gt;Quo Vadis – Henryk Sienkiewicz&lt;br /&gt;The Island of Dr. Moreau – H.G. Wells&lt;br /&gt;The Time Machine – H.G. Wells&lt;br /&gt;Effi Briest – Theodore Fontane&lt;br /&gt;Jude the Obscure – Thomas Hardy&lt;br /&gt;The Real Charlotte – Somerville and Ross&lt;br /&gt;The Yellow Wallpaper – Charlotte Perkins Gilman&lt;br /&gt;Born in Exile – George Gissing&lt;br /&gt;Diary of a Nobody – George &amp;amp; Weedon Grossmith&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Adventures of Sherlock Holmes – Sir Arthur Conan Doyle&lt;/span&gt;&lt;br /&gt;News from Nowhere – William Morris&lt;br /&gt;New Grub Street – George Gissing&lt;br /&gt;Gösta Berling’s Saga – Selma Lagerlöf&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Tess of the D’Urbervilles – Thomas Hardy&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Picture of Dorian Gray – Oscar Wilde&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Kreutzer Sonata – Leo Tolstoy&lt;/span&gt;&lt;br /&gt;La Bête Humaine – Émile Zola&lt;br /&gt;By the Open Sea – August Strindberg&lt;br /&gt;Hunger – Knut Hamsun&lt;br /&gt;The Master of Ballantrae – Robert Louis Stevenson&lt;br /&gt;Pierre and Jean – Guy de Maupassant&lt;br /&gt;Fortunata and Jacinta – Benito Pérez Galdés&lt;br /&gt;The People of Hemsö – August Strindberg&lt;br /&gt;The Woodlanders – Thomas Hardy&lt;br /&gt;She – H. Rider Haggard&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Strange Case of Dr. Jekyll and Mr. Hyde – Robert Louis Stevenson&lt;/span&gt;&lt;br /&gt;The Mayor of Casterbridge – Thomas Hardy&lt;br /&gt;Kidnapped – Robert Louis Stevenson&lt;br /&gt;King Solomon’s Mines – H. Rider Haggard&lt;br /&gt;Germinal – Émile Zola&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Adventures of Huckleberry Finn – Mark Twain&lt;/span&gt;&lt;br /&gt;Bel-Ami – Guy de Maupassant&lt;br /&gt;Marius the Epicurean – Walter Pater&lt;br /&gt;Against the Grain – Joris-Karl Huysmans&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Death of Ivan Ilyich – Leo Tolstoy&lt;/span&gt;&lt;br /&gt;A Woman’s Life – Guy de Maupassant&lt;br /&gt;Treasure Island – Robert Louis Stevenson&lt;br /&gt;The House by the Medlar Tree – Giovanni Verga&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Portrait of a Lady – Henry James&lt;/span&gt;&lt;br /&gt;Bouvard and Pécuchet – Gustave Flaubert&lt;br /&gt;Ben-Hur – Lew Wallace&lt;br /&gt;Nana – Émile Zola&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Brothers Karamazov – Fyodor Dostoevsky&lt;/span&gt;&lt;br /&gt;The Red Room – August Strindberg&lt;br /&gt;Return of the Native – Thomas Hardy&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Anna Karenina – Leo Tolstoy&lt;/span&gt;&lt;br /&gt;Drunkard – Émile Zola&lt;br /&gt;Virgin Soil – Ivan Turgenev&lt;br /&gt;Daniel Deronda – George Eliot&lt;br /&gt;The Hand of Ethelberta – Thomas Hardy&lt;br /&gt;The Temptation of Saint Anthony – Gustave Flaubert&lt;br /&gt;Far from the Madding Crowd – Thomas Hardy&lt;br /&gt;The Enchanted Wanderer – Nicolai Leskov&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Around the World in Eighty Days – Jules Verne&lt;/span&gt;&lt;br /&gt;In a Glass Darkly – Sheridan Le Fanu&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Devils – Fyodor Dostoevsky&lt;/span&gt;&lt;br /&gt;Erewhon – Samuel Butler&lt;br /&gt;Spring Torrents – Ivan Turgenev&lt;br /&gt;Middlemarch – George Eliot&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Through the Looking Glass, and What Alice Found There – Lewis Carroll&lt;/span&gt;&lt;br /&gt;King Lear of the Steppes – Ivan Turgenev&lt;br /&gt;He Knew He Was Right – Anthony Trollope&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;War and Peace – Leo Tolstoy&lt;/span&gt;&lt;br /&gt;Sentimental Education – Gustave Flaubert&lt;br /&gt;Phineas Finn – Anthony Trollope&lt;br /&gt;Maldoror – Comte de Lautréaumont&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Idiot – Fyodor Dostoevsky&lt;/span&gt;&lt;br /&gt;The Moonstone – Wilkie Collins&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Little Women – Louisa May Alcott&lt;/span&gt;&lt;br /&gt;Thérèse Raquin – Émile Zola&lt;br /&gt;The Last Chronicle of Barset – Anthony Trollope&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Journey to the Centre of the Earth – Jules Verne&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Crime and Punishment – Fyodor Dostoevsky&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Alice’s Adventures in Wonderland – Lewis Carroll&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Our Mutual Friend – Charles Dickens&lt;/span&gt;&lt;br /&gt;Uncle Silas – Sheridan Le Fanu&lt;br /&gt;Notes from the Underground – Fyodor Dostoevsky&lt;br /&gt;The Water-Babies – Charles Kingsley&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Les Misérables – Victor Hugo&lt;/span&gt;&lt;br /&gt;Fathers and Sons – Ivan Turgenev&lt;br /&gt;Silas Marner – George Eliot&lt;br /&gt;Great Expectations – Charles Dickens&lt;br /&gt;On the Eve – Ivan Turgenev&lt;br /&gt;Castle Richmond – Anthony Trollope&lt;br /&gt;The Mill on the Floss – George Eliot&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Woman in White – Wilkie Collins&lt;/span&gt;&lt;br /&gt;The Marble Faun – Nathaniel Hawthorne&lt;br /&gt;Max Havelaar – Multatuli&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;A Tale of Two Cities – Charles Dickens&lt;/span&gt;&lt;br /&gt;Oblomovka – Ivan Goncharov&lt;br /&gt;Adam Bede – George Eliot&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Madame Bovary – Gustave Flaubert&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;North and South – Elizabeth Gaskell&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Hard Times – Charles Dickens&lt;/span&gt;&lt;br /&gt;Walden – Henry David Thoreau&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Bleak House – Charles Dickens&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Villette – Charlotte Brontë&lt;/span&gt;&lt;br /&gt;Cranford – Elizabeth Gaskell&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Uncle Tom’s Cabin; or, Life Among the Lonely – Harriet Beecher Stowe&lt;/span&gt;&lt;br /&gt;The Blithedale Romance – Nathaniel Hawthorne&lt;br /&gt;The House of the Seven Gables – Nathaniel Hawthorne&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Moby-Dick – Herman Melville&lt;/span&gt;&lt;br /&gt;The Scarlet Letter – Nathaniel Hawthorne&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;David Copperfield – Charles Dickens&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Shirley – Charlotte Brontë&lt;/span&gt;&lt;br /&gt;Mary Barton – Elizabeth Gaskell&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Tenant of Wildfell Hall – Anne Brontë&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Wuthering Heights – Emily Brontë&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Agnes Grey – Anne Brontë&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Jane Eyre – Charlotte Brontë&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Vanity Fair – William Makepeace Thackeray&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Count of Monte-Cristo – Alexandre Dumas&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;La Reine Margot – Alexandre Dumas&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Three Musketeers – Alexandre Dumas&lt;/span&gt;&lt;br /&gt;The Purloined Letter – Edgar Allan Poe&lt;br /&gt;Martin Chuzzlewit – Charles Dickens&lt;br /&gt;The Pit and the Pendulum – Edgar Allan Poe&lt;br /&gt;Lost Illusions – Honoré de Balzac&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;A Christmas Carol – Charles Dickens&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Dead Souls – Nikolay Gogol&lt;/span&gt;&lt;br /&gt;The Charterhouse of Parma – Stendhal&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Fall of the House of Usher – Edgar Allan Poe&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Life and Adventures of Nicholas Nickleby – Charles Dickens&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Oliver Twist – Charles Dickens&lt;/span&gt;&lt;br /&gt;The Nose – Nikolay Gogol&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Le Père Goriot – Honoré de Balzac&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Eugénie Grandet – Honoré de Balzac&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Hunchback of Notre Dame – Victor Hugo&lt;/span&gt;&lt;br /&gt;The Red and the Black – Stendhal&lt;br /&gt;The Betrothed – Alessandro Manzoni&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Last of the Mohicans – James Fenimore Cooper&lt;/span&gt;&lt;br /&gt;The Private Memoirs and Confessions of a Justified Sinner – James Hogg&lt;br /&gt;The Albigenses – Charles Robert Maturin&lt;br /&gt;Melmoth the Wanderer – Charles Robert Maturin&lt;br /&gt;The Monastery – Sir Walter Scott&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Ivanhoe – Sir Walter Scott&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Frankenstein – Mary Wollstonecraft Shelley&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Northanger Abbey – Jane Austen&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Persuasion – Jane Austen&lt;/span&gt;&lt;br /&gt;Ormond – Maria Edgeworth&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Rob Roy – Sir Walter Scott&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Emma – Jane Austen&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Mansfield Park – Jane Austen&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Pride and Prejudice – Jane Austen&lt;/span&gt;&lt;br /&gt;The Absentee – Maria Edgeworth&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Sense and Sensibility – Jane Austen&lt;/span&gt;&lt;br /&gt;Elective Affinities – Johann Wolfgang von Goethe&lt;br /&gt;Castle Rackrent – Maria Edgeworth&lt;br /&gt;Hyperion – Friedrich Hölderlin&lt;br /&gt;The Nun – Denis Diderot&lt;br /&gt;Camilla – Fanny Burney&lt;br /&gt;The Monk – M.G. Lewis&lt;br /&gt;Wilhelm Meister’s Apprenticeship – Johann Wolfgang von Goethe&lt;br /&gt;The Mysteries of Udolpho – Ann Radcliffe&lt;br /&gt;The Interesting Narrative – Olaudah Equiano&lt;br /&gt;The Adventures of Caleb Williams – William Godwin&lt;br /&gt;Justine – Marquis de Sade&lt;br /&gt;Vathek – William Beckford&lt;br /&gt;The 120 Days of Sodom – Marquis de Sade&lt;br /&gt;Cecilia – Fanny Burney&lt;br /&gt;Confessions – Jean-Jacques Rousseau&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Dangerous Liaisons – Pierre Choderlos de Laclos&lt;/span&gt;&lt;br /&gt;Reveries of a Solitary Walker – Jean-Jacques Rousseau&lt;br /&gt;Evelina – Fanny Burney&lt;br /&gt;The Sorrows of Young Werther – Johann Wolfgang von Goethe&lt;br /&gt;Humphrey Clinker – Tobias George Smollett&lt;br /&gt;The Man of Feeling – Henry Mackenzie&lt;br /&gt;A Sentimental Journey – Laurence Sterne&lt;br /&gt;Tristram Shandy – Laurence Sterne&lt;br /&gt;The Vicar of Wakefield – Oliver Goldsmith&lt;br /&gt;The Castle of Otranto – Horace Walpole&lt;br /&gt;Émile; or, On Education – Jean-Jacques Rousseau&lt;br /&gt;Rameau’s Nephew – Denis Diderot&lt;br /&gt;Julie; or, the New Eloise – Jean-Jacques Rousseau&lt;br /&gt;Rasselas – Samuel Johnson&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Candide – Voltaire&lt;/span&gt;&lt;br /&gt;The Female Quixote – Charlotte Lennox&lt;br /&gt;Amelia – Henry Fielding&lt;br /&gt;Peregrine Pickle – Tobias George Smollett&lt;br /&gt;Fanny Hill – John Cleland&lt;br /&gt;Tom Jones – Henry Fielding&lt;br /&gt;Roderick Random – Tobias George Smollett&lt;br /&gt;Clarissa – Samuel Richardson&lt;br /&gt;Pamela – Samuel Richardson&lt;br /&gt;Jacques the Fatalist – Denis Diderot&lt;br /&gt;Memoirs of Martinus Scriblerus – J. Arbuthnot, J. Gay, T. Parnell, A. Pope, J. Swift&lt;br /&gt;Joseph Andrews – Henry Fielding&lt;br /&gt;A Modest Proposal – Jonathan Swift&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Gulliver’s Travels – Jonathan Swift&lt;/span&gt;&lt;br /&gt;Roxana – Daniel Defoe&lt;br /&gt;Moll Flanders – Daniel Defoe&lt;br /&gt;Love in Excess – Eliza Haywood&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Robinson Crusoe – Daniel Defoe&lt;/span&gt;&lt;br /&gt;A Tale of a Tub – Jonathan Swift&lt;br /&gt;Oroonoko – Aphra Behn&lt;br /&gt;The Princess of Clèves – Marie-Madelaine Pioche de Lavergne, Comtesse de La Fayette&lt;br /&gt;The Pilgrim’s Progress – John Bunyan&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Don Quixote – Miguel de Cervantes Saavedra&lt;/span&gt;&lt;br /&gt;The Unfortunate Traveller – Thomas Nashe&lt;br /&gt;Euphues: The Anatomy of Wit – John Lyly&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Gargantua and Pantagruel – Françoise Rabelais&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Thousand and One Nights – Anonymous&lt;/span&gt;&lt;br /&gt;The Golden Ass – Lucius Apuleius&lt;br /&gt;Aithiopika – Heliodorus&lt;br /&gt;Chaireas and Kallirhoe – Chariton&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Metamorphoses – Ovid&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Aesop’s Fables – Aesopus&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4483226578495990809-7995964659863154568?l=wheretheinternetends.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wheretheinternetends.blogspot.com/feeds/7995964659863154568/comments/default' title='Postare comentarii'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4483226578495990809&amp;postID=7995964659863154568' title='0 comentarii'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/7995964659863154568'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/7995964659863154568'/><link rel='alternate' type='text/html' href='http://wheretheinternetends.blogspot.com/2010/02/de-citit_09.html' title='de citit.'/><author><name>cunely</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_CRDGGl3s9QQ/TTiUJGWBOPI/AAAAAAAAAys/tjgOeFaIhHw/S220/Denisa_Mihaela_Puica.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4483226578495990809.post-6564870139630211799</id><published>2010-02-09T12:44:00.001-08:00</published><updated>2010-02-09T12:44:28.417-08:00</updated><title type='text'>citite.</title><content type='html'>&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4483226578495990809-6564870139630211799?l=wheretheinternetends.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://wheretheinternetends.blogspot.com/feeds/6564870139630211799/comments/default' title='Postare comentarii'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4483226578495990809&amp;postID=6564870139630211799' title='0 comentarii'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/6564870139630211799'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4483226578495990809/posts/default/6564870139630211799'/><link rel='alternate' type='text/html' href='http://wheretheinternetends.blogspot.com/2010/02/citite.html' title='citite.'/><author><name>cunely</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_CRDGGl3s9QQ/TTiUJGWBOPI/AAAAAAAAAys/tjgOeFaIhHw/S220/Denisa_Mihaela_Puica.jpg'/></author><thr:total>0</thr:total></entry></feed>
